Typography

A graphic about synchronicity by <n>GIALLORENZO</n>.

The <n>Three States of Living</n> infographic.

The "How To: Let Go" graphic by <n>We're Not Really Strangers</n>.

A handwritten poem by poet <n>Blake Auden</n>.

<n>In the End, We'll All Become Stories</n> by artist <n>Beve</n>.

A page from <n>Happy Sexy Millionaire</n> by <n>Steven Bartlett</n>.

Poster for the <n>Energy in Motion</n> lecture in Hamburg, hosted by <n>Karl Anders</n>. Uses <n>Maxeville</n> typeface by <n>Open Studio</n>.

Promotional art for the album <n>Avenue</n> by artist <n>APRO</n>.

Vinyl packaging for the band <n>Laguna Pai</n>, designed by <n>Ninoska Pizarro</n>.

Poster by design studio <n>Another Department</n> from their daily design project.

<n>The art of creative living</n> by <n>Little Company</n>.

The <n>8 Pillars of Mental Health</n>, a concept from research scientist <n>James DiNicolantonio</n>.

Infographic by <n>NICOLESNEUROSCIENCE</n> on how to self-regulate using neuropsychology.

Poster for <n>PRCHT 375</n>, a radio broadcast from <n>Parachute</n> on <n>Radio Oloron</n>.

From the <n>Things you wanted to say but never did</n> art project by <n>Geloy</n>.

I've found making the best of my writing process is less to do with the tools and more to do with reframing the way I think about writing and publishing. The tools just facilitate the ways I want to capture ideas. This also means each tool is limited by its own opinions. If I could find a way to make the process the best it could be, such that it afforded flexibility and focused on writing to learn and understand, I think it could drastically improve the return on investment of writing, independent of how widely it's read.