<n>AD2186</n> (2023), a photograph by artist <n>Matthias Leidinger</n>.

AD2186, Matthias Leidinger’s Photographic Exploration Of Awe And Wonder - IGNANT

Flower explorations by photographer <n>Mathieu Trautmann</n>.

<n>Spending</n> app concept by designer <n>Dmitry Tomashevsky</n>.

Geometric animation by artist <n>Dave Whyte</n> of <n>Bees & Bombs</n>.

A portrait of <n>Cillian Murphy</n> by <n>Jack Davison</n> for <n>The New York Times</n>.

From <n>Vieilles enseignes de Suisse</n> (1963). Courtesy of <n>Roth et Sother Lausanne</n>.

Ink and watercolor on paper by <n>Stephen Doherty</n>.

<n>Looping tulip</n>. Sound design by <n>Minh Lê Boutin, Ginkgökoko</n>.

The 'U' monogram from the <n>University of Canberra</n> brand identity, designed by <n>Maud</n>.

The vinyl record for <n>Robin Fett</n>'s EP, <n>Bare Minimum</n>, released on <n>Kreattones</n>.

A geometric, <n>Brutalist</n> facade photographed by <n>Roc Isern</n>.

Business cards for <n>Baltan Laboratories</n> co-directors <n>Lorenzo Gerbi</n> and <n>Marlou van der Cruijsen</n>.

<n>Untitled</n> by artist <n>Philomena Famulok</n>.

210311_Face-division - Takashi Tanaka - OpenProcessing

A photograph by <n>Pelly Mandreka</n> from her photobook <n>The Present</n>, winner of the 2022 <n>Charta Award</n>.

<n>Mace or staff head</n> in volcanic stone from Costa Rica, c. 1-500 AD.

Brand identity for the <n>Toledo Museum of Art</n> by <n>Scorpion Rose Studio</n>, featuring a painting by <n>Caravaggio</n>.

Image used in the article <n>I am the Space Where I am</n> and as artist photo for musician <n>laxrt</n>.

Digital animation <n>30080</n> by <n>Adrian R. M.</n>

Cyanotype artwork <n>Welsh Poppies</n> featured on the <n>Jacquard Products</n> <n>Cyanotype Kit</n>.

<n>Study2023-0909</n> by <n>Generative Hut</n>, created using <n>Cavalry</n>.