STONES

<n>UNFINISHED RITO #2</n> by <n>EWE Studio</n>. Photo by <n>Alejandro Ramírez Orozco</n>.

From the show <n>Opacity, transparency, and everything in between</n> at <n>Friedman Benda</n>. Photo by <n>diana mehrez</n>.

<n>Avenza</n> (1968-69), a marble sculpture by <n>Louise Bourgeois</n>. Photo by <n>Christopher Burke</n>.

<n>EWE Studio</n>'s <n>Future Relic</n> show, curated by <n>Objective Gallery</n>. Photo by <n>a rootless existence</n>.

<n>Altar Table no. 6</n> by <n>EWE Studio</n>. Photo by <n>Alejandro Ramírez Orozco</n>.

<n>Narciso Uno - Mirror</n> from the Psicosis Mineral collection by artist <n>Andres Monnier</n>.

<n>Group of five, 2024</n>, a travertine sculpture by <n>Najla El Zein</n>. Photo by <n>Diana Mehrez</n>.

<n>EWE Studio</n>'s <n>Unfinished Vessel no. 3</n> from their <n>Exhuma</n> exhibition. Photo by <n>Alejandro Ramírez Orozco</n>.

The <n>Humo Table</n> by <n>EWE Studio</n>. Photo by <n>Alejandro Ramírez Orozco</n>.

<n>Altar Table #8</n> by <n>EWE</n>. Photo by <n>Alum Gálvez</n>.

<n>Heraclitus Wall lights</n> in <n>Agia Marina marble</n> by <n>Theo Psychoyos</n>, 2023.

<n>Altar Table #8</n> in Black Orizaba Marble by <n>EWE Studio</n>. Photo by <n>Alum Gálvez</n>.

The production process for <n>EWE Studio</n>'s <n>Tetla marble benches</n>. Photo by <n>Alejandro Ramírez Orozco</n>.

<n>Tall Stilling Basin</n>, a 2022 sculpture in stoneware and granite.

<n>Escisión - Fire Table</n> by <n>Andrés Monnier</n> and <n>Monnier Studio</n>. Photo by <n>Luis Mata</n> and <n>Erick Niebla</n>.

<n>blockhaus I</n>, a chair by architect <n>Cc: Cohort</n>, 2024.

Installation by <n>EWE Studio</n> in the <n>PEDRE</n> building by <n>JSa</n> & <n>MTA+V</n>. Photo by <n>Alejandro Ramírez Orozco</n>.

<n>Andrés Monnier</n>'s sculpture <n>Illusio ANTIPODES</n> from the <n>Galerie Philia</n> exhibition at <n>Zona Maco</n> 2023.

<n>Ambient Interfaces</n> is a domestic UI concept inspired by Japanese zen gardens.

Photographs for Argentinian sculptor <n>Gaston Badii</n> (b. 1989). Text by <n>Delfina Rabán</n>.

<n>Davido - Low Table</n> from the Connexio Collection by <n>Andrés Monnier</n>. Photo by <n>Aldo Ruvalcaba</n>.

<n>Acapulco Chair Rosadita</n> by <n>Mario Garcia Torres</n>. Photo by <n>Alejandro Ramírez Orozco</n>.

<n>EWE Studio</n>'s <n>Unfinished Rito #2 - S.R.O.</n> vessel (2019) in hand-carved marble. Photo by <n>Alejandro Ramírez Orozco</n>.

<n>Altar bench #4</n> from the ALTAR collection by <n>EWE Studio</n>. Photo by <n>Alejandro Ramírez Orozco</n>.

<n>Basalt Tables</n> (2022) by <n>Dalton Stewart</n> for <n>Melbourne Design Week</n>. Photo by <n>Arini Byng</n>.

A sculptural piece by <n>Brud Studia</n>. Photo by <n>Annika Kafcaloudis</n>.

Marble monoliths by <n>EWE Studio</n>, hand-carved by <n>Juan and Diana Fraga</n>. Photo by <n>Alejandro Ramírez Orozco</n>.

An artifact from the <n>Museo Arqueológico Nacional</n> photographed by <n>Alex Cascallana</n> for <n>EPOCH REVIEW</n> Issue 02.

The sculpture <n>Ground to Sky</n> (2011) by artist duo <n>Awst & Walther</n> in Berlin.

<n>Altar bench #4</n> by <n>EWE Studio</n> in Monterrey black marble. Photo by <n>Alejandro Ramírez Orozco</n>.

<n>CAVE I</n> by architectural practice <n>Cc: Cohort</n>, 2024.

<n>Partera Stool</n> in Travertine marble. Photo by <n>Alejandro Ramírez Orozco</n>.

<n>Laberinto - Center Piece</n> from the Connexio Collection by <n>Andrés Monnier</n>. Photo by <n>Mariana Achach</n>.

<n>Growing Together</n>, a student project from <n>Studio Heid</n> at the <n>Harvard Graduate School of Design</n>.

<n>Studio Tops</n>' <n>Bench</n> (2021), crafted from slate, leather, and steel.