02.25

The sculptural <n>Rive Side Table</n> by <n>Homefolks</n>, 2021.

<n>Connect to the Earth</n> illustration for <n>Live The Process</n>.

Filmmaker <n>David Lynch</n> in a still from his YouTube series, <n>David Lynch's Weather Report</n> (2020).

From <n>Tom Johnson</n>'s series <n>Bask-et-ball</n>, commissioned by <n>Entorse Magazine</n> in Kathmandu.

A photograph by <n>Ana Santl</n> for <n>Land Rover</n>, produced by <n>IGNANT Production</n>.

A rider in <n>Almaty</n>, Kazakhstan, with the <n>Tian Shan mountains</n> in the background. Photo by <n>Dinara Evbuomvan</n>.

Cover art for the single <n>Chemicals</n> by <n>Forester</n>, released in 2021.

<n>Idowu, Firestarter</n> (2021) by photographer <n>David Uzochukwu</n>, commissioned by <n>WePresent</n>.

<n>Una sensación</n> by <n>itsmasonandjames</n>.

"#Astrid I" (2011) from the series <n>Eyes as Big as Plates</n> by <n>Riitta Ikonen</n> and <n>Karoline Hjorth</n>.

<n>Shikaras</n> on <n>Dal Lake</n>, <n>Srinagar</n>, 1988. Photo by <n>Analog World</n>.

<n>SEEDS OF LIFE</n> by <n>Marius Troy</n>, an imagined installation exploring light and the origins of life.

Generative plotter art titled <n>Corrupted • #plotparty Glitches</n>.

<n>The Eye</n>, a photograph by <n>Oliver Mayhall</n>.

An Iraqi shepherd with his flock in <n>Halabja</n>, Iraq, 2016. Photo by <n>Yahya Ahmed</n> for <n>AP</n>.