fABLE salmon

Artwork by <n>Eric Timothy Carlson</n> for <n>Bon Iver</n>'s 2025 single <n>fABLE</n> from the album <n>SABLE, fABLE</n>.

And I know that we may go and change someday

I couldn't rightly say

That's for parting days



*Everything Is Peaceful Love, Bon Iver*

“<n>Faces</n>,” a behind-the-scenes still life for <n>Bon Iver</n>'s “Day One” music video. Photo by <n>Erinn Springer</n>.

But I'm a sable

And honey, us the fable

You said that you were unable

That it's not reprieved



*AWARDS SEASON, Bon Iver*

Animation by <n>Annapurna Kumar</n> for the song <n>I’ll Be There</n> by <n>Justin Vernon</n>.

A surfer at <n>South Cronulla Beach</n>. Photo by <n>Matty Smith</n>.

“I’ve always thought about how, underneath our skin, no matter what the pigment is, it’s this kind of salmon-belly color when it gets cut open”



*Justin Vernon (Bon Iver)*

The animation <n>Au Revoir</n> by <n>johnx</n> with music by <n>Justin Vernon</n>.

Grammy nomination graphic for <n>Bon Iver</n>'s album <n>SABLE, fABLE</n>, released by <n>Jagjaguwar</n>.

<n>Justin Vernon</n> of <n>Bon Iver</n> for the album <n>SABLE, fABLE</n>. Photo by <n>Graham Tolbert</n>.

An illustration by <n>Alice Tye</n> commissioned by <n>Mailchimp</n> for an article on social media.

Mailchimp: Building customer relationships through social media by Jane Song for Mailchimp on Dribbble

Cover art for <n>Bon Iver</n>'s single <n>fABLE</n>. Photo by <n>Graham Tolbert</n> and <n>Eric Carlson</n>.

Don't let it trouble your mind

Just take my love in your time



*From, Bon Iver*

An AI-generated concept of a red concrete dwelling in Tokyo by architects <n>Ozan Ertug</n> and <n>Pinar Ongun</n>.

<n>Bacon gum</n> by artist <n>Dan Cretu</n>.

Playing with food – Les nouvelles créations amusantes et décalées de Dan Cretu

"Faces" featuring the band <n>Bon Iver</n>. Photo by <n>Erinn Springer</n>.

Cover art for <n>Xori</n>'s 2019 song, <n>Evening</n>.

lockscreens — color swatches 🍁 photo submitted by...

Album art for <n>Bon Iver</n>'s <n>SABLE, fABLE</n> project, featuring the custom color <n>Pantone 1625 C</n>.

<n>Justin Vernon</n> of <n>Bon Iver</n> at his April Base studio in Wisconsin. Photo by <n>Graham Tolbert</n>.

Visual identity for the 17th edition of the <n>OFFTA</n> festival, designed by <n>Supersystème</n>.

<n>Colour Study</n>, a still life by photographer <n>Sarah Anderson</n> and stylist <n>Zoe Hodgens</n> for <n>The Weekend Works</n>.

Pink green study. Art Direction / Styling Zoe Hodgens - Sarah Anderson Photography

"Invocation of the fish is intentional, but so are associations with other things like sunsets and the underside of skin."



*Andy Battaglia, Pantone*

<n>Bon Iver</n> and <n>Pantone</n> collaborated on the color "<n>fABLE Salmon</n>" for the 2025 album "<n>SABLE, fABLE</n>."

The color <n>fABLE Salmon</n> (Pantone 1625 C), selected by <n>Justin Vernon</n> for <n>Bon Iver</n>'s dual album <n>SABLE, fABLE</n>.

A digital illustration titled <n>Endless ends - on remembering ice and water in a world on fire</n>.

The album <n>SABLE, fABLE</n> by <n>Bon Iver</n>, released for <n>Record Store Day</n> 2025.