<n>Audrey Marnay</n> photographed by <n>Steven Meisel</n> for <n>Vogue Australia</n>'s September 1997 issue.

Cover art for the <n>Omar Velasco EP</n> by musician <n>Omar Velasco</n>.

A graphic design titled <n>Visual Parallelism</n>.

<n>We Need Love</n> (2008) by artist <n>Dan Tague</n>.

<n>Monolith</n>, a generative <n>sound visualization</n>.

Photo by <n>Adrian Koslov</n>, winner in The Architect category at the <n>2017 EyeEm Awards</n>.

<n>SOS</n> (2015), an architectural intervention in Akron, Ohio by artist <n>Ian Strange</n>.

The logo for <n>Ministry of Sound</n>, designed by <n>Spin</n>.

<n>[ARCHIVE 2A.4] STUDY — Fluidity</n> by <n>CONTINUUM</n>.

<n>Motorcycle Matcha</n> visual identity by <n>SAINT-URBAIN</n>.

A film still of <n>Maggie Cheung</n> from the closing scene of <n>Olivier Assayas</n>'s 1996 film <n>Irma Vep</n>.

A photograph by <n>Dan Budnik</n> from the 1965 <n>Selma to Montgomery March</n> in Alabama.

Identity for <n>Motorcycle Matcha</n> by <n>SAINT-URBAIN</n>. Photo by <n>Alexander Stein</n>.

<n>Verres Noirs</n> visual identity for <n>Visages</n> eyewear, a 2023 collaboration with <n>Rêveur Lucide</n>.

A detail of <n>Casa Silencio</n> in Oaxaca, home to <n>Mezcal El Silencio</n>.

<n>Letter T</n> created for the 2022 edition of the <n>36 Days of Type</n> challenge.

<n>Mosaic Works</n> by artist <n>Cornejo-Sanchez</n>.