Intimacy

Behind the scenes at <n>Angkor Wat</n> with <n>Maggie Cheung</n> and <n>Tony Leung Chiu-wai</n> for <n>Wong Kar-wai</n>'s film <n>In the Mood for Love</n>.

A still from the 1969 film <n>Beatrice Cenci</n>.

<n>Jean-Paul Belmondo</n> and <n>Jean Seberg</n> in <n>Jean-Luc Godard</n>'s <n>À bout de souffle</n> (1960). Photo by <n>Raymond Cauchetier</n>.

A deleted scene from <n>Wong Kar-Wai</n>'s 2000 film <n>In the Mood for Love</n> with <n>Maggie Cheung</n> and <n>Tony Leung</n>.

Don’t let go. Photo by <n>Ana Cuba</n>.

Used as the cover for books including <n>Deadly Fear</n>, <n>The Witness</n>, and <n>Dark Obsession</n>.

A still from <n>Jean-Luc Godard</n>'s 1985 film, <n>Hail Mary</n>.

Oil on canvas painting <n>with… nothing 2</n> (2015) by artist <n>Nickie Zimov</n>.

<n>The Clay and the Potter</n> (2014), a photograph by <n>Aitor Frías</n> and <n>Cecilia Jiménez</n>.

<n>Dialog</n>, a 1973 photograph by artist <n>Rudolf Bonvie</n>.

An image from a campaign for chocolate brand <n>MUUD</n> by <n>Visionaries.Studio</n>.

<n>Gwenaëlle Simon</n> and <n>Melvil Poupaud</n> in <n>Éric Rohmer</n>'s <n>A Summer's Tale</n> (1996).

<n>Anna Herrin</n> photographed by <n>Yexley</n> for <n>P Magazine Nº8</n> in Tulum, Mexico.

A scene from <n>The Matrix Reloaded</n> (2003) with <n>Carrie-Anne Moss</n> and <n>Monica Bellucci</n>.

Actors <n>Maggie Cheung</n> and <n>Tony Leung Chiu-wai</n> in <n>Wong Kar-wai</n>'s <n>In the Mood for Love</n> (2000).

A still from the 2000 film <n>La Captive</n> by director <n>Chantal Akerman</n>.