New branding inspo

<n>Vase with Roses</n> by artist <n>Paule Marrot</n>.

Typographic design by <n>Bruno Munari</n> from his 1971 book <n>Design as Art</n>.

The <n>TW</n> alphabet by Polish type designer <n>Tadelus Wastowicz</n>, 1996.

A poster from the collection <n>A LONG ARCHIVE 19-20</n>.

Branding for <n>Cult Gaia</n>'s fragrance, <n>Noor</n>, inspired by the Farsi word for 'light'.

<n>L'été</n>, a 1937 drawing-poem by artist <n>Joan Miró</n>.

Visual identity for the <n>Théâtre des Bouffes du Nord</n> 2019/20 season by <n>Violaine & Jérémy</n>.

Brand identity for youth organization <n>FLOR</n>, designed by <n>Barkas</n> with typography by <n>Out of the Dark</n>.

<n>Chaos</n> tattoo flash design by artist <n>Fabio Sasaki</n>.

<n>The Wimbledon Sweater</n> by <n>le FLEUR*</n>.

A ceramic vase by artist <n>Han-Chiao</n>.

<n>Puppet</n>, a cyanotype installation on tea bags by artist <n>Eugenia Efstathiou</n>.

<n>Galerie Matarasso</n>, a 1957 lithograph poster by <n>Jean Cocteau</n> for his exhibition in Nice.

<n>Clay</n>, a typeface by designer <n>Harry</n> for <n>Type Department</n>, inspired by the chunky forms of 70s ceramic vases.

<n>LUTROFORO</n>, a stoneware and brass artwork from Valencia, Spain.

Christian Boltanski, Inventaire des objets ayant appartenu à une femme de Bois-Colombes, CNAC, 1974 | Bookshop Le Plac'Art Photo

Poster by <n>Spirit</n> for <n>Bake</n> and <n>Craig Richards</n> at <n>Sub Club</n>, celebrating 25 years of <n>fabric</n>.