Konkretno

The <n>Reed</n> typeface, designed by <n>James Junk</n>, with an emblem illustration by <n>Josh McKenna</n>.

<n>The Etude Stencil</n>, a modular typeface designed by <n>Emily Atwood</n> for <n>Order Type Foundry</n>.

<n>FFF Age Tool</n>, a custom typeface by <n>Fonts from Folch</n> for <n>SAPIENS</n>.

Scratchboard drawing of an apartment plan by <n>Pierre Barraud de Lagerie</n>, 2022.

Poster by <n>Fierro Films</n> for an event with winemaker <n>Nuria Renom</n> at <n>PetNat Barcelona</n>.

Hans Prinzhorn’s Artistry of the Mentally Ill (1922)

GEN[ERA]TIVE, a BFA thesis by <n>Alexander Soukakos</n> for <n>Parsons School of Design</n>.

Embossed cover of <n>Volume 1</n>, a book by rug brand <n>cc-tapis</n>. Credit to designer <n>Riccardo Savioli</n>.

Packaging for the <n>Godsend</n> board game.

Graphic campaign for the <n>Mixtur '23</n> festival by <n>bakoom studio</n> with 3D by <n>Alvaro Studio</n>.

Logomarks by <n>Uncanny Services</n> for the <n>Nike</n> x <n>Greater Goods</n> <n>Air Max DN</n> launch in London.

<n>Swiss Style</n> concert poster for the <n>Juni-Festwochen Zürich</n> 1959 by <n>Josef Müller-Brockmann</n>.

Visual identity for the <n>ARIA: Worlds' End Hackathon</n> by <n>Nicola Tirabasso</n>, produced by <n>Projekt Atol</n>.