<n>Blind Mirrors</n>. Photo by <n>Hivessy Menyhért</n>.

Painting by artist <n>Antonia Ferrer</n>.

A <n>Zapotec Bat God Funerary Urn</n>, used in a publication with a poem by <n>Macario Matus</n>.

The specialized, lobed teeth of a <n>Crabeater seal</n>, used to filter krill. Photo by <n>Dhritiman Mukherjee</n>.

A set of <n>Cyber Sigilism</n> style <n>Grillz</n> on a dental mold.

<n>Section of Wheat-Stem</n> by <n>Arthur E. Smith</n> from <n>Nature Through Microscope and Camera</n>, 1909.

An <n>Early Zapotec Culture</n> clay urn. Photo by <n>George Hoyningen-Huene</n> from his 1946 book <n>Mexican heritage</n>.

<n>Aztec</n> <n>Rattlesnake Effigy</n>, a basalt sculpture. Gift of the <n>John G. Bourne Foundation</n>.

<n>Water No. 101</n> (2017), an oil on linen painting by artist <n>Thomas Monaghan</n>.

<n>Enso - Cold Light</n>, a digital installation by <n>teamLab</n>, 2020.

Digital artwork by artist <n>Igor Morski</n>.

A photograph from the series <n>Night Swimming</n> by artist <n>Shao-Feng Hsu</n>.

<n>Gyre</n> (2007), a screenprint by <n>Anna Hepler</n>.

Photomicrograph of a <n>Section of Lily Bud</n> by <n>Arthur E. Smith</n> from the 1909 book <n>Nature Through Microscope and Camera</n>.

<n>Xparticles experiment 2</n> by artist <n>Dimitris Sakkas</n>.

Artwork by artist <n>Burina Daria</n> for her project <n>UGLY CUPID</n>.

The <n>Spine Corset</n> in aluminium and leather, designed by <n>Shaun Leane</n> for <n>Alexander McQueen</n>'s Spring/Summer 1998 collection.

From <n>Nehemiah Grew</n>'s 1680 book, <n>The Anatomy of Plants</n>.

<n>Denture Hair Combs</n> created by artist <n>Imogen Russon-Taylor</n>.

<n>Grey Sun</n>, a 1967 sculpture in bianco p marble by artist <n>Isamu Noguchi</n>.

Photomicrograph of the diatom <n>Triceratium favus</n> by <n>Arthur E. Smith</n>, published in 1909.

"<n>The negative pole of an electric spark</n>" from <n>Camille Flammarion</n>'s book <n>Thunder and Lightning</n> (1886).

The <n>Templo de Quetzalcóatl</n> at Teotihuacan, Mexico, photographed in 1925.

The funerary <n>Mask of the Red Queen</n>, created for <n>Maya</n> queen <n>Tz'akbu Ajaw</n> around 672 CE.

Plate XIII, illustrating the structure of Lepidodendron. Drawn by <n>W. MacGillivray</n> and engraved by <n>W. H. Lizars</n>.

Aztec <n>Vessel with mask of Tlaloc</n>, the god of rain. Ceramic and stucco, 1440-69.