GRDS 2 Inspo

Visible mending on a pair of <n>Levi's</n> jeans using the <n>Sashiko</n> technique by artist <n>Erin Eggenburg</n>.

Photography by <n>Polina Washington</n> for <n>INTO DESIGN</n>.

Cover design by <n>Fatih Hardal</n> featuring the <n>FH Giselle</n> typeface.

<n>Typogram</n>, a laser print by artist <n>Kunel Gaur</n> for the <n>DesignTO</n> festival.

Packaging for <n>AIZOME</n>'s <n>WASTECARE</n> skincare, designed by <n>Serviceplan Innovation</n>. Photo by <n>Ewelina Bialoszewska</n>.

Minimalist packaging for the <n>1m² Garden Seed Boxes</n> collection by <n>Graanmarkt 13</n>.

<n>Typographic Composition № 010</n> by <n>Reforms RS</n>.

<n>Smysl</n> (1992) by photographer <n>Tono Stano</n>.

Poster <n>Dear World</n> (2014) by designer <n>João Castro</n> and <n>Royal Studio</n>.

<n>Intentos de Color</n>, a personal poster project by graphic designer <n>Carmen Nácher</n>, 2020.

A 2022 New Year's poster, <n>Elements of Change</n>, designed by <n>Peter Korsman</n> for <n>Autograph</n>.

<n>every—thing connected</n>, a line study in ink and pencil on paper by <n>Ryan Carl Studio</n>.

<n>Typographic Composition № 020</n>, a <n>minimalist</n> cut paper and Letraset collage.

A 2001 New Year's card for <n>De Nijl Architecten</n> designed by <n>Karel Martens</n>.

Photo by <n>Chris Abatzis</n> for <n>DEATH TO STOCK®</n>.

Identity for <n>Stefanie Nelson Dancegroup</n> by designer <n>Carlos Bocai</n>. Photo by <n>Qiang Wang</n>.

A typographic composition by <n>Benjamin James Lee</n>, <n>Laura Ribis Mir</n>, <n>Edona Morina</n>, and <n>Tim Wingert</n>.

Cover for the <n>Busan English Tourist Guide Map</n>, published by <n>Busan Metropolitan City</n> in 2019.

Photo by <n>Hesen Ali-Darwish</n> for the album <n>Already Gone</n> by <n>Me Not You</n>.

<n>Novelty Waves 5 (NW5-63)</n> by <n>Frender</n>.