my core aesthetic

<n>The Centaur Chiron Instructing Achilles</n> (1759) by <n>Louis-Jean-François Lagrenée</n>.

The <n>Drip Earring</n> and <n>Baby Drip Earring</n> by designer and photographer <n>Steff Eleoff</n>.

Model <n>Hannah Motler</n> photographed by <n>Daniel Archer</n> for <n>Cultured Magazine</n>.

19th-century painting <n>Prize Sheep</n> by artist <n>Henry Body</n>.

<n>Automedon with the Horses of Achilles</n> (1868) by <n>Henri Regnault</n>.

A portrait of the Dalmatian puppy <n>Apollo</n>.

<n>Anguish</n> (1878), a painting by <n>August Friedrich Albrecht Schenck</n>.

An image from <n>Chloé</n>'s Diversity & Inclusion Policy.

A look from the <n>Christopher John Rogers Spring/Summer 2021 Collection</n>, photographed by the designer.

"<n>The (Re)Generation</n>" for <n>Display Copy</n>. Photo by <n>Jason Thomas Geering</n>, styled by <n>Brynn Heminway</n>.

A disposable sand vase by <n>Sand to Sand Studios</n>. Photo by <n>Dudi Hasson</n>.

A 2022 editorial for <n>M Le magazine du Monde</n> by photographer <n>Théo de Gueltzl</n>.

Model <n>Jakob Jokerst</n> for <n>Numéro Netherlands Digital</n>, photographed by <n>Alejandro Ramirez</n>.

Model <n>Anok Yai</n> in the photograph <n>Adut Akech & Anok Yai</n> (2018) by <n>Campbell Addy</n>.

A photograph by <n>Dudi Hasson</n> for <n>Hermès</n>.

<n>Garden of the Dispossessed</n> from the <n>Archetypes</n> series by <n>Nona Limmen</n>.

Model <n>Alessia Tresoldi</n> for <n>Lucius Magazine</n>'s <n>Rich Girls</n> editorial. Photo by <n>Paul McCarroll</n>.

A model from <n>SMG Model Management China</n>.

A detail from <n>Matthias Stom</n>'s painting, <n>The Incredulity of Saint Thomas</n> (c. 1640-1649).

<n>Narcissus</n> (1881) by Hungarian painter <n>Gyula Benczúr</n>.

<n>Souls of Zanzibar</n> by photographer <n>Evald Munksgaard Hansen</n> for <n>Numéro Switzerland</n>.

Detail from <n>Roger Freeing Angelica</n> (1819) by <n>Jean-Auguste-Dominique Ingres</n>.

Model <n>Um Seo Yoon</n> photographed by <n>Peter Ash Lee</n> for <n>Vogue</n> with hair by <n>Gabe Sin</n>.