confusing

<n>The Glory</n> (2015) by artist duo <n>Christto & Andrew</n>.

A collage featuring model <n>Jordan Barrett</n>.

A 2022 collage by <n>Katrien De Blauwer</n> from a collaboration with <n>Aesop</n>.

<n>Kathleen Ryan</n>'s sculpture, <n>Bad Orange (Sardine)</n> (2019). Photo by <n>Robert Wedemeyer</n>.

A mood board of 90s <n>Vintage Chanel</n> inspiration from <n>SOURCEWHERE</n>.

<n>Canon</n> Spring/Summer 2004 campaign advertisement for the <n>PowerShot SD10 DIGITAL ELPH</n> camera.

Cover art for the track <n>Batucada</n> by musicians <n>Bronka</n> and <n>Dave Nunes</n>.

self portrait @MARINAHUNTER.PHOTO photography | photography aesthetic + trends | girlhood core

<n>Seems Like A Dream</n> references brands <n>Nike</n>, <n>UNDERCOVER</n>, and <n>UNDEFEATED</n>.

An oyster from the series <n>B. Oysters cult</n> by photographer <n>Caroline Faccioli</n>.

A still life of cocktails photographed by <n>Maurizio Di Iorio</n>.

Conceptual artwork by Latvian artist <n>Hanne Zaruma</n>.

Photo by <n>Bill Ray</n> for <n>LIFE Magazine</n>.

A still life of <n>PDPAOLA</n> jewelry, photographed by <n>Eduard Sánchez Ribot</n>.

<n>Ten martini lunch</n> by <n>Megan Paetzhold</n> with styling by <n>Michelle Gatton</n> for <n>New York Magazine</n>.

Cover art for the song <n>Pink Hoodie</n> by <n>aespa</n> and the album <n>CICATRICES Y MARCAS</n> by <n>Korteks</n>.

<n>The Sanctobin Brothers</n>, including <n>Matthias Sanctobin</n>, photographed by <n>M. Scott Brauer</n> in Luxembourg, 2004.