Animated typography piece <n>Morph sketches</n> by <n>Studio Lennart & de Bruijn</n>.

<n>Autaut Grotesk</n>, a <n>neo-grotesque</n> typeface designed by <n>Alessio Pompadura</n>.

Kinetic typography by <n>Talia Cotton</n> for <n>Alex Slobzheninov</n>'s <n>The Designers List</n> in <n>TYPEONE Magazine</n>.

實 (2020) by <n>Joe Li</n> for the <n>Motion Type Project</n>.

Poster for the 2022 <n>Advertising & Design Club of Canada Awards</n> designed by <n>Gabriel Cance</n>.

Unused sketches for the <n>Tomorrow Happens</n> rebrand, using <n>Diatype</n> and <n>Reckless Neue</n>.

The digital artwork <n>Digitization VII</n>.

Brand identity for <n>Telepathic Instruments</n> by <n>Tame Impala</n>.

A digital artwork by <n>John Burgess</n>.

<n>Quackle</n>, a 3D animation by artist <n>Maxim Zhestkov</n>.

Identity for the <n>Future Shock</n> exhibition at <n>180 Studios</n>, designed by <n>Zak Group</n> and curated by <n>Fact Magazine</n>.

New <n>brand identity</n> for architecture firm <n>Hanbury</n> by <n>Base Design</n>.

The <n>Future Relics: SNES Controller</n> digital illustration, created using <n>Blender</n>.

Poster for the <n>Hybridisation</n> exhibition by <n>Zaha Hadid Design</n> and <n>Karimoku</n> at <n>Milano Design Week</n>.

Graphic from the <n>DreamOn</n> project, created with <n>Idea Digital</n> using the <n>Diatype</n> typeface.