<n>The Accolade</n> (1901) by artist <n>Edmund Blair Leighton</n>.

Concert poster for <n>Meshuggah</n>'s 2017 shows in Poland, illustrated by <n>Dawid Ryski</n>.

Gothic concept art by <n>Kim Seongwon</n> depicting artifacts for the character <n>Erich</n>.

<n>Swords, Daggers & Other Sharp Things</n>, a risograph print by artist <n>Abby Crawford</n>.

Illustration of the <n>King of Snakes</n> by artist <n>Diana Renzhina</n> for <n>Folktale Week</n> 2020.

<n>A135 — NO LOSS, NO LOVE</n> by <n>Studio Caroline Dietl</n>, inspired by the band <n>Spiritbox</n>.

Marginalia from the <n>Walters Manuscript W.88</n>, a 14th-century Flemish Book of Hours.

Book of Hours, Marginalia, Walters Manuscript W.88, fol. 115v detail

<n>Lady knight & hand dagger Illustration</n> by <n>Shelby Warwood</n>.

<n>Reliquary Cross (The Cloisters)</n>, a <n>Byzantine</n> work from c. 1180, held at <n>The Cloisters</n> in New York.

Digital illustration, <n>Cursed Relics - Evil Eye</n>. Prompt by <n>Alba BG</n>.

The <n>EP-1320 Medieval</n> sampler composer by <n>Teenage Engineering</n>.