The Geometry of the Sacred — the invisible architectures of meaning

archetypa.

The <n>Ma Sconce No. 4</n>, a ceramic stoneware light fixture designed by <n>Kassandra Thatcher</n>.

The <n>Antica II Sconce</n> designed by <n>Ohla Studio</n>.

<n>Orgone Chair</n> designed by <n>Marc Newson</n> in 1990.

A view of <n>Atelier Brancusi</n> by <n>Constantin Brâncuși</n> at the <n>Centre Pompidou</n>. Photo by <n>Adam Rzepka</n>.

<n>DC1717 Coffee Table</n> by <n>Vincenzo De Cotiis</n> from the <n>Baroquisme</n> collection, 2017.

A pot by <n>Katherine Pleydell-Bouverie</n> and <n>Norah Braden</n> from the Winter 1930 issue of <n>Artwork. A Quarterly</n>.

{holiday inspiration : candlelight and firelight and mistletoe}

The <n>Beheaded and Reheaded Lady</n> sculpture, featured by designer <n>Kelly Wearstler</n>.

<n>Depot stools</n> by designer <n>Phil Procter</n> for <n>Depot Boijmans Van Beuningen</n>.

<n>Rolled Chair</n> by designer <n>Jonathan Nesci</n> for <n>Patrick Parrish Gallery</n>, 2014.