graph inspo

Brand collateral for writer and editor <n>Sarah Rowland</n>.

Cover of <n>World Series Vol. I</n>, a photography publication.

Brand identity for <n>Málà Project</n> designed by <n>Jingqi Fan</n>.

Design Business Company

Are We Moving Towards a Better Era?, a graphic work by the design project <n>Mediiia</n>.

Group exhibition <n>Ubiquitous no.14</n> at <n>Tube Gallery</n>, curated by <n>Elaine Tam</n>.

Poster for the <n>Odermatt + Tissi Graphic Design</n> exhibition at <n>Ginza Graphic Gallery</n>, 1998.

Poster for <n>Andrew Norman Wilson</n> at the <n>Center for Contemporary Art Futura</n>, 2018. Design by <n>Anymade Studio</n>.

Iresine snowflake, a still life with the <n>Sobak bowl</n> from <n>NO GEM</n>.

<n>Return to Zero</n> by the <n>Computer Technique Group</n>, 1968.

Poster for the play <n>Todas las Flores</n> at <n>La Sala Beckett</n>. Design by <n>Carles Murillo</n>.

Fan art for <n>Severance</n>, imagined as a <n>Weekly Shonen Jump</n> cover by artist <n>Anjohink</n>.

Chinese Typography Illustration Design Poster

Digital artwork <n>Not Happy (Poster 793)</n> from 2024, created using <n>Adobe Photoshop</n>.

Poster by <n>Elliot Ulm</n> for the <n>Pangram Pangram Font Starter Pack</n>, featuring <n>Neue Montreal</n> and <n>Eiko</n> typefaces.

<n>The Interviews: Volume Two</n>, a book from publisher <n>The Brand Identity</n> with design by <n>Studio Ground Floor</n>.

Poster for the <n>Apple TV+</n> show <n>Severance</n>, from creator <n>Ben Stiller</n>.

Graphic designer <n>Yehwan Song</n>'s 2022 zine, <n>n-site [1]</n>, published by <n>North East</n>.

Poster design for <n>LIE</n> by <n>JAKOB</n>.

<n>Troika Lenticular poster</n> designed by <n>Joonghyun Cho</n> and <n>Hyunsun You</n> with art direction by <n>Jaemin Lee</n>.