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Artwork by artist <n>Terzetto</n> of the creative studio <n>Haus of Terzetto</n>.

Miniature paper architecture from the <n>Shadow Spaces</n> series by artist <n>Owen Gildersleeve</n>. Photo by <n>Stephen Lenthall</n>.

The <n>PUR_PA_02</n> chair from the PUR series by designer <n>Sebastian Kommer</n>.

Steel profiles from Italian metal fabrication company <n>CAAD s.r.l.</n>

<n>Section of Wheat-Stem</n> by <n>Arthur E. Smith</n> from <n>Nature Through Microscope and Camera</n>, 1909.

The facade of <n>The Broad</n> museum, designed by <n>Diller Scofidio + Renfro</n> in collaboration with <n>Gensler</n>.

1919 botanical illustration by <n>John E. Weaver</n>, used as the cover for <n>Ghost Funk Orchestra</n>'s album <n>A New Kind of Love</n>.

The <n>Mini Wazon (Bruce scale)</n> by <n>Brud Studia</n>.

A drawing of a Scots Pine (<n>Pinus sylvestris</n>) from the <n>Wurzelatlas</n> by <n>Erwin Lichtenegger</n> and <n>Lore Kutschera</n>.

Cover for <n>SO/LO</n>'s album <n>At the End of the World, Plant a Tree</n>. Photo by <n>Andrew G. Hobbs</n>.

A textural photograph for plant-based skincare brand <n>MARK Los Angeles</n>, shot in Los Angeles.

Still life of <n>AG1</n> ingredients. Photo by <n>Sergiy Barchuk</n>. Styling by <n>sarawacksman</n>.

A <n>larch seedling</n> with an extensive network of <n>mycorrhizal hyphae</n>. Photo by <n>David Read</n>.

<n>Line study 04</n>, a sketch in pencil on paper.

<n>Patinated Aluminium Shelves</n> by <n>Laurids Gallée</n>, courtesy of <n>MANIERA</n>.