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<n>Frosted Ombré Glass Chair</n> by <n>Germans Ermics</n>, photographed by <n>Mounir Raji</n> for <n>Mr Porter</n>.

A photograph by <n>Amar Singh Gill</n> for <n>Wallpaper*</n> magazine.

<n>Z-Chair</n> by <n>Shiro Kuramata</n>, 1978.

Non-Existent Existence – Glass Sculpture by Jinya Zhao | OEN

The <n>On Refusal, Infiltration, and the Gift</n> exhibition at <n>Kunsthaus Bregenz</n>, designed by <n>Peter Zumthor</n>.

A chair from the <n>Crystal Series, raw side edition</n> collection by designer <n>Saerom Yoon</n>.

<n>Emmanuel van der Auwera</n>'s <n>VideoSculpture XXX (The Gospel)</n>, 2024, at the <n>Centre d’Art Contemporain Genève</n>.

<n>Á. Birna Björnsdóttir</n>'s video installation, <n>A Twitch and a Tug / Snertitaug</n> (2022).

<n>Totem light</n> by designer <n>Sabine Marcelis</n>.

Tapio Wirkkala, A VASE, 3584, 3894. - Bukowskis

<n>Gray Column</n> (1975-76) by artist <n>De Wain Valentine</n>.

<n>Pratt Chair #7</n>, designed by <n>Gaetano Pesce</n> in 1984.

The sculpture <n>Daylight Instruments</n> by light artist <n>Christina Augustesen</n>.