through

A page from <n>Lee Lozano</n>'s '<n>Private Book 1</n>', published by <n>Karma</n> in 2016.

From the <n>Open Fields</n> series by photographer <n>Guillaume Amat</n>.

A <n>Fallstreak hole</n> cloud formation over Wonthaggi, Victoria. Photo by <n>David Barton</n>.

<n>Transfer</n>, a 1968 video installation by artist <n>William Anastasi</n>.

A <n>wrapped-rib antenna</n> developed by <n>Oxford Space Systems</n> for <n>Project Oberon</n>.

Model <n>Aluad Anei</n> in the <n>Luhlaza</n> series by photographer <n>Gavin Goodman</n>, styled by <n>Louw Kotze</n>.

An artwork referencing <n>August Sander</n>'s photographic project, <n>Man of the 20th Century</n>.

<n>Primal Fire</n>, an imagined art installation created with AI by artist <n>Marius Troy</n>.

Cover of the exhibition catalog for <n>Chung Hyoun</n>'s 2015 solo show <n>Set Piece</n>, designed by <n>Sulki & Min</n>.

A ceramic from the <n>Plantsukuroi</n> series by artist <n>Zhu Ohmu</n>, featuring an <n>Opuntia monacantha variegata</n> cactus.

Poster for the <n>Liebesding</n> record release by <n>Wassily</n> at Palace St. Gallen, 2017.

<n>Michèle Lamy</n> films <n>Rick Owens</n> for his <n>Vapor Spring/Summer 2002 collection</n> video.

Art direction by <n>Andrei Damian</n> for the creative community <n>Otherset</n>.

A reimagined book cover for the film <n>Fight Club</n> by director <n>David Fincher</n>, designed by <n>Matt Stevens</n>.

Embossed die-cut envelopes for <n>Maison Margiela</n>. Photo by <n>Margaux Piette</n>.

From the <n>Kiko Kostadinov</n> x <n>ASICS</n> campaign for the <n>GEL-Sokat Infinity</n> sneaker. Photo by <n>Frank Lebon</n>.

A photograph from the series <n>This Time Tomorrow</n> by <n>David van Dartel</n>.

Illustration by <n>The Atlantic</n>, based on a photograph from <n>Getty Images</n>.

Model <n>Lamchi李霖梓</n> for <n>Pacific Place</n>. Photo by <n>ISSAC LAM 林俊彥</n>.

<n>Richard Serra</n>'s monumental steel sculpture <n>Inside Out</n> (2013). Photo by <n>Robert McKeever</n>.

Profile picture for the musician <n>NOXAZAMIA</n>.

Untitled (2019) by <n>Ira Lupu</n> for the <n>Guest Room: Der Greif</n> exhibition.

<n>In principio era la fine</n> (2016) by <n>Nicola Samorì</n>.