Skin/Touch

James Turrell: the architect of space and light

Nan Goldin. The Ballad of sexual dependency | ITSLIQUID

A <n>Surrealist</n> self-portrait, <n>Without Hope</n> (1945), by artist <n>Frida Kahlo</n>.

Nan Goldin - The Ballad of Sexual Dependency

Tracey Emin / Edvard Munch | Royal Academy of Arts

<n>Maman</n>, a sculpture by <n>Louise Bourgeois</n> at the <n>Qatar National Convention Center</n>. Photo by <n>Sophia Al-Maria</n>.

<n>Egon Schiele</n>'s 1914 painting, <n>Lovers (Self-Portrait with Wally)</n>, featuring the artist and his muse <n>Wally Neuzil</n>.

Egon Schiele, The Lovers, Self-Portrait with Wally, 1915, Wien, Leopold Museum

How James Turrell Knocked the Art World Off Its Feet (Published 2013)

<n>Hearth</n>, a sculpture in metal wire and textile by artist <n>Kincso Toth</n>.

<n>Les Fleurs</n> (2009) by <n>Louise Bourgeois</n>.

<n>Marina Abramović</n>'s performance <n>Thomas Lips</n> at <n>Krinzinger Gallery</n>, Innsbruck, 1975.

“During her older years, she realised that there was no one-fits-all mould for a relationship, that sexual attraction and love could be different things, and that marriage could result in violence, pain and re-marriage”

<n>The Two Fridas (Las dos Fridas)</n>, an <n>oil on canvas</n> painting by <n>Frida Kahlo</n> from 1939.

<n>Spider (Cell)</n>, a 1997 sculpture by <n>Louise Bourgeois</n>.

James Turrell Takes Up Curating, With a Show by His Hero (Published 2022)

Goldin’s photographs feature her life and those in it.

A 2007 drawing by <n>Louise Bourgeois</n> from the book <n>Les Fleurs</n>, published by <n>Nieves</n>.

Detail of <n>The Embrace</n> (1917), an <n>Expressionist</n> painting by <n>Egon Schiele</n>.

<n>Marina Abramović</n> in her 1995 performance, <n>Cleaning the Mirror I</n>.

Artist <n>Alina Szapocznikow</n> with her sculpture <n>Grands Ventres (Big Bellies)</n> for <n>Elle Magazine</n> in 1968.