Editorial

Visual identity for <n>Overlude</n> with icons by designer <n>Giuseppe Laezza</n>.

Redesign of the <n>Yearbook 2022</n> for the <n>Fachbereich Architektur, RPTU Kaiserslautern</n>, directed by <n>Deutsche & Japaner</n>.

A poster designed by <n>Mansoor</n> featuring a quote by <n>Lorinda Mamo</n>.

<n>FOUND</n> typeface for <n>TROBAT</n>. Creative direction by <n>Mireia Campos</n>, art direction by <n>Paula de Álvaro</n>.

Poster Collection 2021 | HKU Architecture

Spreads from the <n>Experimental Jetset</n> monograph <n>Statement and Counter-Statement</n>. Photo by <n>Johannes Schwartz</n>.

<n>Nike Air Studio</n> identity and visual design by <n>Phillip K</n>.

An illustration by <n>Xoana Herrera</n> for <n>Death to the Stock Photo</n>.

The book <n>Patriarchale Gewalt & Femizide</n> by <n>Luise Klann</n>. Photo by <n>Mario</n>.

<n>Ome Ehekatl</n> by <n>S. YaNaaa</n>, 2025.

Cover for <n>Jazzways Magazine</n>, designed by <n>Paul Rand</n> in 1946.

Psychedelic digital illustration by artist <n>Mariano Peccinetti</n>.

The <n>pocket operator for Pixel</n> app by <n>Teenage Engineering</n> in collaboration with <n>Google</n>.

The book <n>Kazakh New Wave</n> by <n>Gulnara Abikeeva</n>, published by <n>Tselinny Publishing</n> in 2021.

A type specimen for the font <n>Atlas Mono</n>.

Design by <n>Pablo Mariné</n> for <n>Sin Palmeras no hay Paraíso</n>, with text by <n>Pablo Estévez Hernández</n>.

Visual identity for the <n>ARIA: Worlds' End Hackathon</n> by <n>Nicola Tirabasso</n>, produced by <n>Projekt Atol</n>.