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Identity design by <n>Slava Fedutik</n> for <n>DUE.D. art gallery</n>, promoting an exhibition by <n>Jörn Vanhöfen</n>.

Photo illustration by <n>Mike McQuade</n> for <n>The New York Times Magazine</n>'s cover on <n>Rupert Murdoch</n>.

The <n>Brutalist</n> collage-style website for London-based studio <n>SOUP</n>, designed and developed in-house.

<n>Machann Pannié</n>, a journal for <n>dach&zephir</n>'s exhibition at <n>DS GALERIE</n> during <n>Paris Design Week</n>.

Cover design for <n>TM-Typografische Monatsblätter</n> by <n>Fatih Hardal</n>, 2019.

A slide from the <n>WeTransfer</n> <n>Ideas Report 2021</n>.

Graphic designer <n>Sharon Park</n>'s 2020 poster featuring <n>William H. Johnson</n>'s painting <n>Three Friends</n>.

What would Wikipedia look like if it acknowledged its biases? Graphic designer Sharon Park explores

52 Customizable Pages for Fashion-Forward Marketing Plan

<n>Epiphany Day</n> (2019) by <n>Felicia Simion</n>, capturing the Orthodox Epiphany celebration in Breb, Romania.

A spread from the research project <n>MY MOTHER IS MY IPHONE</n> with editorial design by <n>Júlia Blanco Boada</n>.

<n>Digital Collages Vol. 14</n>, a digital collage.

Poster designs by <n>BM</n>. The <n>Seen Enough</n> poster features photography by <n>MIMIPIC</n>.