bits and bobs

honey gold by photographer <n>Rod Cauhi</n>.

<n>Red Boat</n>, 2022, by artist <n>Hyunah Kim</n>.

Spiral head by artist <n>Pavel Tchelitchew</n>.

Poster design by <n>Vincenzo Marchese Ragona</n>.

An illustration by <n>Alexis Jamet</n> for <n>Hermès</n>.

A drawing from the 2024 film <n>Sketch</n> by <n>Angel Studios</n>.

The <n>Modernist</n> logo for <n>Saitama Bank</n>, designed by <n>Kazumasa Nagai</n> in 1973.

Branding for the 2018 <n>WECANDANCE</n> festival by agency <n>Lovers</n>, with illustrations by <n>Toykyo</n>.

Painting by artist <n>Leon Berkowitz</n>.

<n>WRPD Magazine</n> cover story featuring model <n>Maria Konieczna</n>, photographed by <n>Bartek Nogaj</n>.

<n>Diaspora</n>, a display font by <n>Alessandro Prepi Sot</n>.

Model <n>Jay Pak</n> for <n>Re-Edition Magazine</n>, photographed by <n>James Fonteneau</n> and <n>Matt Kelly</n>.

An editorial look from <n>Studio Tomboy</n>'s Fall collection.

<n>Monique (ANT 57)</n> by <n>Yves Klein</n>.

From the series <n>The Wrong Turn</n> by photographer <n>Paolo Emanuele Barretta</n>.

Cover art for <n>Madeline Goldstein</n>'s 2022 single, <n>Lost In Heaven</n>.

<n>The Destruction of All Art is Art Too</n> by <n>Ben Vautier</n>, 1963.

An abstract digital artwork titled <n>refractions</n>.

An editorial for <n>Zara Kids</n> by photographer <n>Marcin Kempski</n>, with a prop by <n>RoboMadeProps</n>.

Models pose for <n>Interview Magazine</n>.