ThePoetryOfWork

An editorial look featuring <n>UGG®</n>. By <n>ENCHII SAIKO</n>.

Brand identity for <n>Keshaw McArthur</n>, designed by <n>1/1 Studio</n>.

The artist's book <n>他山 (assemblage) dust, salt and dirt</n> by <n>Chen Sheng-Wen</n>, published by <n>YIRI ARTS</n> in 2022.

Analog collage by <n>Jim Newitt</n> for <n>The Surfer's Journal</n>.

Perspective View of the Visible Creation – Product

A 1750 mezzotint by <n>Thomas Wright</n> from <n>An Original Theory or New Hypothesis of the Universe</n>.

"I think the question behind the question is: What are we asking concepts to do? What function do concepts have in helping us to think something differently or think something more expansively? When you ask about metaphor, I hear you asking about whether these concepts are gestural allusions or whether they are being actively engaged, albeit on different terms."



Listening and Writing to Images, Tina M. Campt and Jace Clayton in conversation

We ought to view ourselves with the same curiosity and openness with which we study a tree, the sky or a thought, because we too are linked to the entire universe.



Henri Matisse

<n>Peggy Guggenheim</n> at her home on the Grand Canal in Venice.

when you think about your goals, don’t just consider the outcome you want. Focus on the repetitions that lead to that place. Focus on the piles of work that come before the success. Focus on the hundreds of ceramic pots that come before the masterpiece.

A <n>Neo-brutalist</n> website for performing artist <n>Sabela Mendoza</n>, designed by <n>Novagarda</n>.

Surreal landscape photograph taken in Idaho by <n>Benjamin Everett</n>.

Illustration of the moon's phases from <n>The Earth and the Sky</n> (1898) by <n>Edward S. Holden</n>.

"I’m challenging us to think of synesthesia as something that actually happens and to embrace a synesthetic relationship to sound and images, even though that may not be the cognitive modality that we usually inhabit. But if we do this intentionally, if we literally try to hear something that is not necessarily visualized in the image, then listening to images becomes a way of enacting the broader experience of how images register. How do we get access to those deeper resonances? For me, again, it started with the idea of thinking a concept in relationship to an object that is very different from it."





Listening and Writing to Images, Tina M. Campt and Jace Clayton in conversation



Listening and Writing to Images, Tina M. Campt and Jace Clayton in conversation

There's no such thing as work-life balance. It's all just life.

Morris Motley – Visual Journal

Plate XV, <n>The Great Nebula in Andromeda</n>, from <n>The Story of the Heavens</n> by <n>Sir Robert Stawell Ball</n>.

Diffraction patterns of <n>Velon</n>, <n>Saran</n>, and <n>Vinyon</n> fibers from a scientific analysis.

<n>Dune</n>, a minimalist poster design featuring photography by <n>Kyle Cottrell</n>.