On the Road

<n>Brooklyn Gang (couple kissing in the back seat of a car)</n>, 1959, by photographer <n>Bruce Davidson</n>.

Photo by <n>Matthew Thorne</n> for <n>The Heavy Collective</n>.

A photograph from the series <n>Under the City</n> by <n>Sam Wright</n>, featured in <n>Another Man</n>.

The album cover for the EP <n>Sirius</n> by musician <n>Alex Moldovanos</n>.

A photograph by <n>Todd Hido</n> from his <n>House Hunting</n> series.

Todd Hido (Essay by Lindsey Kemp)  Todd Hido was born in Kent, Ohio in 1968. He went to Tufts University and earned a Bachelor of Fine Arts degree in 1991. He then went to the California College of Arts and Crafts and earned his Master of Fine Arts degree in 1996.1 He is now based out of San Francisco. Todd Hido’s photographic works are in colour. He uses available light rather than studio lights and long exposures to compensate. He shoots suburban interiors and exteriors. ... READ ON

<n>Junkyard</n> (2015) by photographer <n>Kyle Thompson</n>.

<n>#1975a</n> from the <n>House Hunting</n> series by photographer <n>Todd Hido</n>, 2001.

"The face forgives the mirror, the worm forgives the plow. The questions begs the answer: Can you forgive me somehow?"

Cover art for the song <n>Leave Town for a Week</n> by <n>Leo Dijon</n> and <n>Havoc Henry</n>.

<n>Up Clee Hill</n>. Photo by <n>Ronnie Ackling</n>.

A 3D animation inspired by <n>The Batman</n>, featuring the superhero and his vehicle, created in <n>Unreal Engine 5</n>.

Stranger things by photographer <n>Karol Małecki</n>, shot on a <n>Mamiya RZ67 Pro II</n> with <n>CineStill 800T</n> film.

<n>Laura Steiner</n> and <n>Jess Segal</n> photographed in Portugal.

A film photograph taken in <n>Mauritania</n>.

Cover art for the single <n>Sex & Love</n> by <n>Seith</n>.

<n>Noiva, Pelourinho</n> (1979) by photographer <n>Miguel Rio Branco</n>.