LaRius

The <n>Scroll Bench</n> in aluminium by <n>Two Lines Studio</n>.

An artificial plant decoration by <n>Botané Studios</n>.

An iPhone photograph by <n>Kyler Steele</n>.

A work by artists <n>Thomas & Renée Rapedius</n> from their 2018 exhibition, <n>McIntosh</n>.

<n>Hier war mein Kaisertum VII (Here Was My Empire VII)</n>, an oil painting by <n>Anna Lisei Math</n>, 2022.

Street Light on an Electric Post. Photo by <n>Riccardo Radi</n>.

"<n>Lemons</n>" (2014), a photographic work by artist <n>Daniel Gordon</n>.

<n>Philippe Parreno</n>'s installation <n>Sonic Water Lilies</n> at the <n>Fondation Beyeler</n>, 2017. Photo by <n>Mark Niedermann</n>.

philippe parreno: sonic water lilies at beyeler foundation

From <n>Dimensions of Dialogue</n>, a 1983 <n>surrealist</n> stop-motion animation by <n>Jan Švankmajer</n>.

Photo by <n>hannah thornhill</n> via <n>Myartisreal Magazine</n>.

The <n>Mono Zeug</n> cutlery set, designed by <n>Michael Schneider</n> in 1994.

A photo created for the skincare brand <n>ROWSE</n>.

From the <n>Beach Boys</n> series by photographer <n>Sara Sousa</n>, exploring male vulnerability.

Photograph by <n>Roland L. Freeman</n> from the ‘<n>Braids, Plaits, and Cornrows</n>’ project.

<n>Self Portrait with Malcolm</n> (2018) by photographer <n>Clifford Prince King</n>.

A dew drop on a nasturtium leaf demonstrates the <n>lotus effect</n>. Photo by <n>Pogrebnoj-Alexandroff</n>.

A textile from <n>majotae 9490</n>, a collaboration with <n>TERUHIRO YANAGIHARA STUDIO</n> and <n>Casa Balandra</n>.

<n>Stunning River at the Morning</n> by <n>Justin Wirtalla</n>.

A <n>Weeping Willow (Salix babylonica)</n> tree reflected in calm water.

Digital illustration <n>Chrome</n> by <n>Strahinja</n>.

A photograph from a series capturing a journey between Corsica and Amalfi.