type specimen

<n>Untitled</n>, 1972, by artist <n>Dorothea Rockburne</n>.

The poem <n>Why Bother?</n> by <n>Sean Thomas Dougherty</n> from his 2018 book, <n>The Second O of Sorrow</n>.

Manuscript for the poem <n>Un Coup de Dés Jamais n'Abolira le Hasard</n> by <n>Stéphane Mallarmé</n>.

<n>Things to C-sharp (in short, solo)</n> (2023) by <n>Federico Federici</n>.

A spread from the graphic design publication <n>Revue Faire</n>, designed by <n>Sacha Léopold</n> and <n>François Havegeer</n> of <n>Syndicat</n>.

<n>Orbikular</n> type specimen by <n>Co-Type Foundry</n>, designed by <n>Matt Willey</n>, <n>Chantal Jahchan</n>, and <n>Pentagram</n>.

Poster for the <n>Atelier national de recherche typographique</n> by <n>Alexandre Liziard</n>, using the <n>Exposure</n> typeface.

A page from <n>Charles Mavelot</n>'s 1742 book, <n>Nouueau liure de chiffres</n>.

A typography exploration using the fonts <n>Nautica</n> and <n>Helvetica</n>, inspired by <n>David Meyring</n>.

<n>Zenit, No. 35</n> cover by <n>Jo Klek</n>, 1924.

Poem <n>Old Souls</n> by <n>Nikita Gill</n>.

<n>Staatliches Bauhaus Ausstellung</n> in Weimar, 1923.