Poster

The 2024 Graduation Exhibition of the School of Sculpture and Public Art—𝙇𝙖𝙮𝙚𝙧𝙚𝙙 𝙂𝙧𝙤𝙬𝙩𝙝 𝙍𝙞𝙣𝙜𝙨—is now open at Quan Shanshi Art Center in #Hangzhou and will run until June 15th, 2024. The exhibition features works from 167 graduates and delves into the profound…

Digital artwork by <n>FASCIA DYNAMIC</n>, the creative studio of <n>Maxime Chéurlin</n>.

Spreads from the <n>Aeonik Pro Type Specimen</n> book, designed by <n>Semiotik Design</n> for <n>CoType Foundry</n>.

First issue of <n>New York Magazine</n>, 1968. Logo by <n>Milton Glaser</n>, photo by <n>Jay Maisel</n>.

Visual identity by <n>TSTO</n> for the 60th anniversary of <n>Marimekko</n>'s iconic <n>Unikko</n> pattern.

The <n>Out of Order</n> catalog, designed by <n>Daily Dialogue</n> for the <n>Haubrok Foundation</n>.

— Otherness got me with those collages that feel like the good parts of Wired 2000s. Very classic.

Branding for <n>Baltic</n>, a London-based technology consulting studio, by <n>srphm studios</n>.

The brand identity for <n>Air Company</n> by <n>Mouthwash Studio</n>, featuring the <n>Moniker</n> typeface.

Spanish-language poster for "The Empire Strikes Back." Artwork by Noriyoshi Ohrai.

I designed some editorial layouts based on a modern fashion brand called Acronym

↳ Want to know which Fonts I used in this layout? Subscribe tofor my weekly design explorations including names of the fonts I used. #typography #design #daretoshare24

Spreads from the <n>Experimental Jetset</n> monograph <n>Statement and Counter-Statement</n>. Photo by <n>Johannes Schwartz</n>.

<n>Typographic Process, Nr 2</n> (1972) by <n>Wolfgang Weingart</n>, a key work of <n>New Wave typography</n>.

This identity for a Finnish shop is all about circles >

It’s all in the rhythm: Laura Clink’s brand for GOYA, a social platform for yoga, flows like poetry →

Kicking off the week with a new one called United ✌️

The website <n>Sturdy</n> by <n>Fix Studio</n>, winner of an <n>Awwwards Site of the Day</n> award.

<n>OMEN</n>, a personal project by <n>HERESYHQ</n> with type design by <n>Alissa Schlienkamp</n>.

Cover for <n>Design+Design</n> issue 30 (1994), designed by <n>Jo Klatt</n>.

Hello! I am happy to announce my generative project

'Dia' - Tuesday (July 9)
150 editions

More info in the comments below :)

ɯɯ ɯ ɯ  ɯ  ɯ    ɯ      ɯ_ _ _ _ _ _ _  

Wæveform

<n>Photorealistic Renderings : New Graphic Language</n>, a Bachelor's thesis from 2022.

Graphic design for the <n>Gustav</n> trolley by <n>Georg Muehlmann</n> and <n>Studio Blackburn</n>.

<n>感觉 (Feeling)</n> graphic identity for Juyuan Paper Industry, designed by <n>Pan Qin</n>.

Graphic Designers,

Mondays suck..

So here is my morning inspiration board focusing on bold type and dope poster compositions. Consider the type texture, type as structure, and contrast. 

W}122 Enjoy!