<n>Spectres of the State Avant-garde</n> identity by <n>Jaemin Lee</n> for the <n>Korean Pavilion</n> at the 2018 Venice Biennale.

Spectres of the State Avant-Garde — studio fnt

Photo by <n>Nathania Sutanto</n> in Melbourne.

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A campaign asset for the <n>Puma</n> x <n>Skepta</n> collaboration, created by <n>CC Studio</n>.

A calendar page depicting <n>Pope.L</n>'s 1978 performance piece, <n>Times Square Crawl</n>.

Risograph calendar created by <n>Jake</n> via the risograph print studio <n>sunroom</n>.

A 2022 calendar design by <n>studio dolphins</n>.

The <n>Cursor Chair</n>, a design concept by <n>Laurent Del Rey</n>.

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A multi-exposure fisheye view of <n>Pershing Square Station</n> in downtown Los Angeles.

A minimalist, <n>retro</n> style <n>Eye illustration</n>.

Poster for the <n>Ninth Contemporary Japanese Sculpture exhibition</n> by <n>Kiyoshi Awazu</n>, 1981.

<n>Physical Clocks</n>, an animation using the <n>Monument Grotesk</n> typeface for <n>DEMO Festival</n>.

Book cover for <n>The Intervals of Cinema</n> by <n>Jacques Rancière</n>, published by <n>Verso Books</n>.

<n>Isabel Seliger</n>'s 2018 illustration for <n>Michael Ondaatje</n>'s novel <n>Warlight</n>.

A <n>calendar layout concept design</n> by a Brazilian design team, inspired by the number three.