A spread from the <n>Zumtobel Group Annual Report 2011/12</n> featuring art by <n>Anish Kapoor</n>.

<n>Kynoch International Print</n> by <n>Roger O. Denning</n>, 1967.

A collection of tree logos from <n>Yasaburo Kuwayama</n>'s <n>Trademarks & Symbols of the World Volume 2</n>.

Visual identity for financial company <n>Due</n>.

Editorial animation “<n>What does a translator do?</n>” for <n>The New Yorker</n>.

<n>FIFA World Cup 2022 Wallchart</n> designed by <n>Studio Blackburn</n>.

Cover art for <n>陷入</n> by <n>吴岱林</n> and <n>ICE杨长青</n>, and <n>五百二十赫兹</n> by <n>Capper</n>. Photo by <n>Afrodit</n>.

Cultural identity is high on the agenda for this year’s Palm* Photo Prize finalists

Branding for <n>Anterior</n> by <n>summer mcclure</n> and <n>Dayan D'Aniello</n>.

The logo for the <n>Rebuilding Kibbutz Be'eri</n> initiative.

A demonstration of the user interface for the <n>Cosmos</n> application.

Artwork for the album <n>A Turbulent Sky</n> by musicians <n>Stefan Christoff</n> and <n>Jarrett Martineau</n>.

<n>Subtractive Variability Manipulable 6</n>, a 2021 sculpture by artist <n>Felipe Pantone</n>.

<n>Jessica Beard</n> at the <n>World Track and Field Championships</n>. Photo by <n>Kevin Frayer</n> for <n>Associated Press</n>.

<n>More dispersion.</n>, a 3D render from 2019.

Cover art for the song <n>Darkness</n> by <n>Darren Hayes</n> from his 2022 album <n>Homosexual</n>.

<n>Siri</n>, from the <n>Everydays</n> series by <n>MØ Studio</n>.

The Moon, shot on <n>Kodak Vision 100T</n> film. Roll by <n>PERSPEKTIVA</n>, scan by <n>Фотолаборатория «Точка цвета»</n>.

Explorations:  Illustration —  James Zanoni - Art Director, Designer, Artist

Cover of the 1973 monograph on <n>Yusaku Kamekura</n>, featuring his logo for the <n>World Design Conference '73</n>.

A <n>minimalist</n> flight booking interface concept by designer <n>Bymahdii</n> and <n>XOLAB Studio</n>.

The painting <n>Hairline Cracks</n> by artist <n>Adam Hall</n>, featured in the film 'Leave the World Behind'.

The <n>R-625 Performance Sampler</n>, a concept by <n>issue イシュー</n>, <n>nicolai toma</n>, and <n>David Knop</n>.

A still from one of the first computer-generated films, created by <n>Edward E. Zajac</n> at <n>Bell Labs</n> in 1963.