The 2019 renovation of <n>B4BB Art Gallery</n> in Belgium.

"<n>The Green</n>", a 2016 woven installation by artist <n>Mimi Jung</n>.

<n>Naumachia</n> by <n>Seongeun Lee</n> at <n>CAPTION SEOUL</n>. Photo by <n>Yumin Lee</n> and <n>Bokyoung Han</n>.

<n>The Blue Hour</n>, featuring a <n>Venetian Plaster Pedestal</n> by <n>bluebeige designs</n>.

<n>JPS Gallery</n> (2023) by <n>Deza Setién</n>. Photo by <n>David Zarzoso</n>.

Installation view of <n>Monira Al Qadiri</n>'s <n>Holy Quarter</n> (2020) at <n>Haus der Kunst</n>. Photo by <n>Jurek Zagórski</n>.

Installation view of <n>Cloud Studies</n> by <n>Forensic Architecture</n> at <n>The Whitworth</n>. Photo by <n>Michael Pollard</n>.

The <n>Grange Bench</n> in white oak, designed by <n>Post Company</n> for <n>Roll & Hill</n>.

The <n>Side Table 01</n> from <n>Zara Home</n>.

‘Play Dead; Real Time (this way, that way, the other way)‘, Douglas Gordon, 2003 | Tate

The <n>Ode to Osaka</n> installation by <n>Manthey Kula</n> for the <n>Oslo Architecture Triennale 2016</n>.

<n>Lines</n> (2023), an AI-generated work in the <n>Hard-edge painting</n> and <n>Color Field painting</n> styles.

Jo.