TYPE

Brand identity for <n>Sotheby’s Motorsport</n> by <n>Forth+Back®</n>, using the <n>OTT Leto</n> typeface.

<n>DPZ Sans</n>, a proprietary typeface created for the new brand identity of <n>DPZ</n>.

Security guard <n>Shuetsu Sato</n> with his duct-tape typography, known as <n>Shuetsu-tai</n>.

<n>Funkee Mono</n> typeface by <n>Kim Costantino</n> at <n>CRSL Carosello Lab</n> with character design by <n>Gaia Villa</n>.

Branding for architecture and design studio <n>Andres Llopis</n> by <n>Séptimo</n>.

Poster for a concert at <n>Columbiahalle</n> in Berlin, scheduled for November 3, 2025.

Typography for <n>Louis Vuitton</n>'s <n>LE VOYAGE DES LUMIERES</n> project. Creative direction by <n>Closer</n>.

Variable font for <n>KFC</n>'s Original Recipe campaign by <n>Family Type</n>, commissioned by <n>Mother London</n>.

<n>Swim Club</n>, a hand-drafted and hand-stamped typeface.

Poster for the <n>Teleport-offline Tokyo</n> pop-up by <n>TELEPORT</n> with <n>HOME ECONOMICS EXPERIMENT</n>.

Visual identity for financial services company <n>Makosch</n> by creative company <n>20(SOMETHING)</n>.

A demonstration of the text warping capabilities of <n>Monotype</n>'s <n>Studio</n> software.

<n>Let God Sort Em Out</n>, a logotype for the musical duo <n>Clipse</n>.

Branding for <n>CORPUS</n>. Creative direction by <n>Kim Hyo-bin</n> and design by <n>Lee Yoo-jin</n>.

The <n>Non Ophelie</n> typeface from <n>Type Department</n>.

The evolved <n>Mountain Hardwear</n> logo, part of a new brand identity developed by <n>Gretel</n>.