A look from the <n>Maison Martin Margiela</n> <n>Spring/Summer 1990 collection</n>.

Image used for musician <n>STELLA LEFTY</n>.

Still from <n>Pedro Almodóvar</n>'s <n>Women on the Verge of a Nervous Breakdown</n> (1988) with <n>María Barranco</n>, <n>Rossy de Palma</n>, and <n>Antonio Banderas</n>.

<n>Natalia Semanova</n> walks for <n>Thierry Mugler</n> Spring/Summer 1998 Haute Couture.

A 1983 photograph by <n>Helmut Newton</n> for a <n>Vacheron Constantin</n> advertisement.

<n>Gli Amanti</n> by photographer <n>Mario Giacomelli</n> from the series <n>Verrà la morte e avrà i tuoi occhi</n>.

<n>Kate Moss</n> and <n>Mario Sorrenti</n> in London, 1993.

<n>Yellow Nude with Eye</n> (1973) by artist <n>Mitchell Funk</n>.

<n>Custom Ballet Boots</n> by <n>MADOMORPHO</n>, crafted from upcycled pointe shoes.

<n>Charlotte Gainsbourg</n> by <n>Ezra Petronio</n> for <n>Self Service Magazine</n> N°39, 2013.

A film still of <n>Vivian Wu</n> and <n>Ken Ogata</n> in <n>The Pillow Book</n> (1996), directed by <n>Peter Greenaway</n>.

Portrait of <n>Twiggy</n> by <n>Ronald Traeger</n>, 1967.

A still from <n>Jean Grémillon</n>'s 1941 film <n>Remorques</n>, featuring <n>Michèle Morgan</n> and <n>Jean Gabin</n>.

<n>Swan-like embrace, Paris</n>, 2001, by artist <n>Nan Goldin</n>.

A still from <n>Jean-Luc Godard</n>'s 1964 film, <n>Une Femme Mariée</n>.

A portrait of actress <n>Jane Birkin</n>.

The book cover for <n>The Way We Touch</n> by author <n>Tia Louise</n>.

A still from the 1989 film <n>Sex, Lies, and Videotape</n>, directed by <n>Steven Soderbergh</n>.

A look from <n>John Galliano</n>'s debut <n>Christian Dior Haute Couture Spring/Summer 1997</n> collection.

<n>Carolyn Murphy</n> in a look from the <n>Gucci</n> Fall 1996 collection, designed by <n>Tom Ford</n>.

<n>Marina Abramović</n> and <n>Ulay</n>'s performance piece, <n>Relation in Water</n>, 1977.