Divina

<n>The Great Sphinx of Giza</n> and <n>Pyramid of Khufu</n>, 1867. Photo by <n>Antonio Beato</n>.

<n>Tulips</n>, a 1986 photograph by <n>Robert Mapplethorpe</n>.

<n>Juvenile trevally</n> fish take shelter inside a <n>Cauliflower jelly</n>. Footage by <n>Earth Touch</n>.

A still from the <n>Shahmaran</n> music video by <n>Sevdaliza</n>, co-directed with <n>Emmanuel Adjei</n>.

A butterfly in <n>Yasuní National Park</n>, Ecuador. Photo by <n>Pete Oxford</n> for <n>Nature Picture Library</n>.

A limestone <n>Relief plaque of cobra on a neb basket</n> from Egypt, ca. 400–30 B.C.

» Through  Pulling Down from the Ephemeral, I tried to imagine, or make manifest a trajectory of energetic sensation downward, something that pulls..  downward, imploring new gravity within the body, a falling, a kinetic power .. as an avenue for noticing my body as a living, material, earthly being. This is the searching for a sensation of grounding, back down from the body’s always bourgeoning loss/disappearance to other, invisible even astral dimensions. « – BROOKE STAMP, artist

The <n>Great Sphinx of Giza</n>, c. 1880. Photo by the <n>Zangaki Brothers</n>.

A photograph from <n>The Book of Stress</n> by <n>Alix Kirsta</n>, 1986.

Artwork by <n>Robert and Shana ParkeHarrison</n>.