graphic

An illustration for <n>The Economist</n>'s article '<n>A short history of tractors in English</n>'.

Artwork titled <n>Sun scans</n> by artist <n>Anyma</n>.

The <n>Mouth (Anatomy) Oval Plate</n> by <n>John Derian Company</n>.

<n>The Creation of Light</n> (1824), a mezzotint by <n>John Martin</n> for John Milton's <n>Paradise Lost</n>.

Poster for the 2021 exhibition <n>Nothing is — everything just has been or will be</n> at <n>gallery damdam</n> in Berlin.

Cover for <n>Typographische Monatsblätter</n>, 1964 Issue 1, designed by <n>Felix Berman</n>.

Poster for the film <n>Lost in Translation</n> by designer <n>Clarisse Lacarrau</n>.

<n>[ARCHIVE 2A.4] STUDY — Fluidity</n> by <n>CONTINUUM</n>.

Artwork by <n>Tarik Kiswanson</n> from his 2021 solo exhibition at <n>Almine Rech</n> gallery in Paris.

<n>Computer</n>, a conceptual design by <n>Isabel Martinez</n>.

A 2017 glitch art animation by <n>Tachyons+</n>.

Video Art Animation GIF by Tachyons+ - Find & Share on GIPHY

<n>Luiz Sacilotto</n>'s 1975 artwork <n>Concreção 7553</n>, used as the cover for <n>Allen Stone</n>'s EP <n>Mystery</n>.

Photograph by <n>REYLIA</n> featuring model <n>Peng Chang</n>.

Artwork by <n>Rupert Smyth</n> for the 2018 <n>Mouse on Mars</n> album, <n>Dimensional People</n>.

<n>Ways to Say I Love You</n> poster by <n>WMn.</n> for the <n>One Love Foundation</n>.

<n>Course</n>, an artwork by <n>Rachel Garrard</n>.

Organic textures from the <n>Axis Mundi</n> project, developed with the studio <n>TENDRIL</n>.

<n>Self Reflected</n> (2016), a 22k gold leaf microetching by artists <n>Greg Dunn</n> and <n>Brian Edwards</n>.