Interaktionsdesign Teama

Research for the <n>DEUS Typeface</n> by type designer <n>Nacho aka Nacho</n>, 2023.

Original Abstract Drawing by Nina Suh Lance | Conceptual Art on Paper | Linea 010

A sketchbook spread with letterform studies by Moscow-based artist and designer <n>Pavel Ripley</n>.

Poster for the <n>Organik Warmup Party</n> in Taipei, 2023, featuring musician <n>Anetha</n>.

Oscillons #10, #18, and #41 by <n>Ben F. Laposky</n> from <n>Recreational Mathematics Magazine</n>, 1963.

<n>Oscillon #39</n> and <n>Oscillon #11</n>, <n>Electronic Abstractions</n> by artist <n>Ben F. Laposky</n>, c. 1950.

<n>Beaux yeux sans arrière-pensée</n> by <n>Georges Ribemont-Dessaignes</n> at the <n>Kunsthaus Zürich</n>.

<n>Analog-Grafik D3 (Dance of the Electrons)</n> by <n>Herbert W. Franke</n>, 1962.

<n>Diffraction Patterns For Natural And Synthetic Fibers</n> from the <n>Encyclopedia of Polymer Science and Technology</n>, 1967.

<n>Rebecca Horn</n>'s wearable sculpture, <n>White Body Fan</n>, from 1972.

<n>Ergonomic Silhouettes</n> by artist <n>Rachel Levit Ruiz</n>.

Posters from an <n>A3 poster style publication</n>.

Visual for the <n>Organik Fest after party</n> at <n>Pawnshop Taipei</n> with DJs including <n>Oceanic</n> and <n>Mikkel Rev</n>.

Artwork by artist <n>Burina Daria</n> for her project <n>UGLY CUPID</n>.

Poster for the <n>HEKTOR Meets DEXTER SINISTER</n> event at the <n>Swiss Institute</n> in 2007.

<n>Minimalist</n> poster design <n>Dune</n>, using photography by <n>Kyle Cottrell</n>.

Geometric typographic series <n>36 days of type 2020</n> by graphic designer <n>Alina Rybacka-Gruszczyńska</n>.

<n>Analog-Grafik D3 (Dance of the Electrons)</n> by artist <n>Herbert W. Franke</n>, 1961-1962.

Untitled, 2012, by <n>Benjamin Laading</n>.

Ohne Titel (Composition) by Wassily Kandinsky on artnet Auctions

Cover art for the <n>Russian Trap Metal</n> genre and artist <n>Tomorrow</n>.

An architectural drawing by <n>Ryoji Suzuki</n> from <n>Japan Architect</n> magazine, Spring 1992.