A bottle of lemonade from <n>Pivovar Sour</n>, made with soda, hops, and calamansi.

A collection of tree logos from <n>Yasaburo Kuwayama</n>'s <n>Trademarks & Symbols of the World Volume 2</n>.

The <n>Hanji Brand Identity</n> designed by <n>Studio fnt</n> in 2019.

A spread from the catalog for the <n>Beirut. The eras of Design</n> exhibition, curated by <n>Marco Costantini</n>.

The catalogue for the <n>Vêtements Modèles</n> exhibition at <n>Mucem</n>, 2020. Graphic design by <n>Bizzarri-Rodriguez</n>.

<n>Failed Images: Photography and its Counter-Practices</n>, edited by <n>Ernst van Alphen</n>. Photo by <n>Perimeter Books</n>.

A spread from <n>Kikuji Kawada</n>'s photobook <n>Chizu</n>, a dummy version published by <n>Mack Books</n>.

A book spread designed by <n>Laura Prim</n> and <n>Aurelia Peter</n> using the <n>Greed</n> typeface by <n>Displaay</n>.

The hand book of mediaeval alphabets and devices

Artwork by <n>Mingjun Luo</n> in the publication <n>Sur Papier. Su Carta</n>, designed by <n>onlab studio</n>.

A spread from <n>This Way!</n>, a type specimen and exhibition guide by <n>Three Dots Type</n>.

A page from the risograph zine <n>QUEER ATAK</n> with text by <n>Mewa Topolska</n> and illustration by <n>Kazik F.</n>

<n>The Banda Journal</n>, a book by photographer <n>Muhammad Fadli</n> and writer <n>Fatris MF</n>.

Photographs of <n>Kurt Schwitters</n>'s <n>Merzbau</n> installation, c. 1932-35. Photos by <n>Wilhelm Redemann</n> and <n>Ernst Schwitters</n>.

<n>Les Sirens</n> by artist <n>Keith Mallett</n>.

A spread from the research project <n>MY MOTHER IS MY IPHONE</n> with editorial design by <n>Júlia Blanco Boada</n>.

An image from the <n>Aspesi</n> Spring/Summer 2021 collection.

Models <n>Park Tae-min</n> and <n>Shin Hyun-ji</n> for <n>GQ Korea</n>, photographed by <n>Choi Yong-bin</n>.