Patricia Urquola

<n>Synthetic Apiary: Bee Cube / Pneuma</n> by <n>Neri Oxman</n> and <n>The Mediated Matter Group</n> at <n>MIT Media Lab</n>, 2020.

Detail of the <n>KBAR X RAW HONEY LOVER SCARF</n> by <n>Alex Khabbazi</n> and <n>RAW HONEY LOVER</n>.

The digital artwork <n>Illusion of time</n> by <n>Francesco Misceo</n>, created using <n>TouchDesigner</n>.

A glitch art piece by <n>Saima Hussain Mir</n>.

Embroidery test by designer <n>Morgane Vantorre</n> and embroiderer <n>Maryline</n>, based on family handwriting.

<n>Delightful Unburdening</n> by <n>Marni Bowman</n> for the <n>hcma Vancouver</n> Artist in Residence program.

"Variable embroidery test" embroidered by <n>Maryline</n> in collaboration with <n>Thaïs Cuny</n>.

The generative artwork <n>Dying Life</n> is procedurally composed from AI-generated flowers.

The typographic art print <n>RIGHT HERE</n> by artist <n>Meritxell Casamira</n>.

A typographic animation created using the <n>Cavalry</n> motion design application.

Animated cover art for <n>Tame Impala</n>'s album <n>Innerspeaker</n>, designed by <n>Leif Podhajsky</n>.

<n>Mycelium</n>, a generative artwork created using <n>TouchDesigner</n>. Thanks to <n>Lyell Hintz</n>.

<n>Form in Motion</n>, a kinetic typography piece using <n>Maxeville Mono</n> for the <n>Motion Corner</n> event.