ModMin

<n>Watch The Sunset</n> editorial layout by designer <n>Hrvoje Kraljevic</n>.

Spreads from the <n>Aeonik Pro Type Specimen</n> book, designed by <n>Semiotik Design</n> for <n>CoType Foundry</n>.

The 2022 annual publication <n>4B</n> for <n>Künstlerhaus Stuttgart</n>, designed by <n>Matter Of</n>.

The Silver Editorial - Modern & Chic Serif Font

The <n>MCA Australia Identity System</n> designed by <n>M35</n> for the <n>Museum of Contemporary Art Australia</n>.

<n>DD publishing project 002</n>, a photography book from <n>Daily Dialogue</n>.

<n>Asia-Pacific Design No. 17</n> by graphic designer <n>Mak Kai Hang</n>, 2021.

Brand identity for photography platform <n>Fellowship</n>, designed by <n>Six</n>.

Film still from <n>Once</n> (1974) by director <n>Mort Heilig</n>.

Goodbye Packet Template for Interior Designers

<n>unholy bindings</n> (2024), a digital illustration by <n>raihan ramadhan putra</n>.

<n>The Chrysalis of the Human Being</n>, a <n>Surrealist</n> painting by artist <n>Michel Henricot</n>.

<n>Paradigma</n> program book for the <n>Bavarian State Opera</n>, designed by <n>Robert Gutmann</n> at <n>Bureau Borsche</n>.

A spread from <n>Cartografía del Movimiento</n> by artist <n>Fà Bascompte</n>.

Artwork by <n>Robert Beatty</n> for <n>Oneohtrix Point Never</n>'s 2013 album, <n>R Plus Seven</n>.

An illustration by Japanese artist <n>Hajime Sorayama</n>.

Program for <n>Caged Time</n> by <n>Shakespeare's Wild Sisters Group</n>, 2017. Design by <n>Elmo Wu</n>.

<n>感觉 (Feeling)</n> graphic identity for Juyuan Paper Industry, designed by <n>Pan Qin</n>.

A photograph by <n>William Jess Laird</n> for the <n>Janu Tokyo</n> hotel.

Spread from the publication <n>1xZHT</n>, designed by <n>Kasper-Florio</n> with photos by <n>Katalin Deér</n>.

Web design for <n>Creme Curated</n> by <n>Kevin Magalhaes</n>.

Redesign of <n>Jun'ichirō Tanizaki</n>'s <n>In Praise of Shadows</n>. Mentoring by <n>Jonas Voegeli</n>, <n>Larissa Kasper</n>, <n>Daniela Mirabella</n>.