Too high

Actor <n>Kim Novak</n> in the 1958 film <n>Bell, Book and Candle</n>.

Photographer <n>Maurizio Annese</n>'s award-winning "Katie" for <n>ODDA Korea</n> in a <n>Samuel Lewis</n> design.

<n>Daria Kozak</n> for <n>Vogue Poland</n>, photographed by <n>Leo Faria</n>.

**The worst thing you can do is insist on change when you’re not even sure where you’re headed.**



**Better stay where you are while you take your time establishing what you want.**

<n>Approaching Shadow</n> (1954) by photographer <n>Fan Ho</n>, used for <n>Jean Rondeau</n>'s album <n>Melancholy Grace</n>.

From the <n>Aesthetic Explorations</n> series, commissioned by <n>REFERENCE</n>.

The canvas print <n>Tranquility</n> from the studio <n>softshade</n>.

The high-heeled foot cast worn by <n>Diane Kruger</n> in <n>Quentin Tarantino</n>'s <n>Inglourious Basterds</n>.

<n>Elle Macpherson</n> for the <n>Sports Illustrated</n> Swimsuit Issue, 1990.

Editorial for <n>Harper's Bazaar Italia</n>. Photo by <n>Charlie Gates</n>, styled by <n>Maria Giulia Riva</n>.

Iconic <n>Space Age</n> sunglasses designed by <n>André Courrèges</n> in 1965.

Model <n>Erin Harrison</n> for the <n>Andersson Bell Resort 23 Campaign</n>, shot by <n>Francesco Nazardo</n>.

<n>Moyra Swan</n> in <n>Thea Porter</n> for <n>British Vogue</n>, photographed by <n>Barry Lategan</n> in Turkey, 1971.

<n>Claudia Schiffer</n> for the <n>Vogue US</n> editorial "<n>White Washed</n>," 1992. Photo by <n>Marc Hispard</n>.

<n>Prometheus</n>, a gelatin silver print by artist <n>Constantin Brancusi</n>, 1926-29.

Image used as album art for several releases by artist <n>Soulify</n>.

“Power Moves” for <n>Vogue Hong Kong</n> featuring fashion by <n>Robert Wun</n> and beauty by <n>NARS</n>.