Typographic icon for the <n>BERLINC</n> x <n>REZTOKIA</n> 'Seek Creative Ecstasy' T-shirt authentication certificate.

A 1962 page layout by <n>Josef Müller-Brockmann</n> showcasing <n>Fiat</n> advertisements in the <n>Swiss Style</n>.

Unbound sheets of <n>When Technology Was Female</n> by <n>Susanne Altmann</n>, published by <n>If I Can’t Dance</n>.

Visual identity for Dutch video agency <n>Fomo</n>, created by design studio <n>Monga Design</n>.

"a-ok" typographic artwork in a <n>metaballs</n> style, inspired by <n>Paper.js</n> code.

<n>Turn on, Tune in, Drop out</n>, a graphic design by <n>Ivan Casty</n>.

A poster from <n>The 10 Morisawa Posters</n> series (1996) by artist <n>John Maeda</n>.

An Oppenheimer-inspired poster by graphic designer <n>Philip Rempel</n> of <n>REZTOKIA</n>.

Conceptual <n>New Balance Postage Stamp Collection</n> by <n>Designer Direct</n>.

Oldschool Rave Flyer Archive 1980's-2000's. Rave Preservation Project.

Digital animation by graphic designer <n>James Marshall</n>.

Poster by <n>Shin Deok-ho</n> for the <n>Library Independent Publishing Reading Room</n> exhibition (2015).

The logo for <n>Tamla</n> Records, the first label founded by <n>Berry Gordy, Jr.</n> in 1959.

Graphic design by <n>Severin Weber</n> and <n>Nicolai Jaron Kager</n>.

Poster for the <n>Airtime x Le Cinéma Club Screening</n> designed by <n>Crystal Zapata</n> in 2023.

Poster titled <n>EXPERIMENT NO.12 / OLIVE</n>, designed by <n>Mansoor</n> in 2024.

Poster for <n>Andrew Norman Wilson</n>'s <n>Hir</n> at <n>Center for Contemporary Art Futura</n>. Design by <n>Anymade Studio</n>.

Cover of the 2020 reissue of <n>Typeface Design</n> by graphic designer <n>Yasaburo Kuwayama</n>.

Poster for the <n>Das Neue Heim</n> exhibition in Zurich, designed by <n>Ernst Keller</n> in 1928.

<n>Announcement for the Type Directors Club of New York</n>, designed by <n>Massimo Vignelli</n> in 1966.

<n>BUTANO numerography</n> by designer <n>Adrià Molins</n>.