From the series <n>There are so many Ghosts at my spot</n> by Russian photographer <n>Karman Verdi</n>.

"i cut all the bruises off the peach

not as beautiful but still as sweet"



\- **Ryan Beatty**, Bruises Off The Peach

<n>Non fungible trash</n>, a CGI artwork by artist <n>Vincent Schwenk</n>.

Branding for <n>AGNI</n>, a company specializing in Vedic tools.

A <n>DoorDash</n> delivery person rides a bike during a snowstorm in Brooklyn. Photo by <n>Spencer Platt</n>.

A still from <n>Sone Yutaka</n>'s 1993 video art, <n>Her 19th Foot</n>.

<n>Pass The Cranberry Jelly</n> by <n>Shawna Gibbs</n>, from the <n>Lenscratch</n> DINNER exhibition.

A still from <n>Agnès Varda</n>'s 2000 documentary <n>Les glaneurs et la glaneuse</n>.

Branding for <n>Le Matin Patisserie</n> by <n>Practice Theory</n> in collaboration with the <n>Benjamin Barker Group</n>.

A long table dinner at <n>The Junction</n> table, hosted by <n>+Halle®</n> and Sofie.

A sidewalk party in September for <n>Laila Gohar</n>'s monthly column for <n>HTSI</n>.

Cover of the book <n>私たちが轢かなかった鹿</n> by <n>Areno Inoue</n>. Photo by <n>Suzanne Saroff</n>.

<n>Salmon hotpot/Tokyo</n> from the '<n>Vegetable weapon</n>' series by artist <n>Tsuyoshi Ozawa</n>, 2002.

Typographic design of the number 5 for the <n>36 Days of Type</n> project.

<n>GrabFood</n> delivery riders practice social distancing in a Bangkok mall. Photo by <n>Mladen Antonov</n>.

<n>Lisa Congdon</n>'s illustration of <n>Audre Lorde</n> for the book <n>We Are the Change</n>.

Promotional image for the musical <n>Just Desserts</n> by <n>Brad Ross</n> and <n>Ellen Greenfield</n>.

“Show me a nation that cannot feed itself, and I’ll show you a nation in chaos.”



\- **Pat Roberts**, former Senate Agriculture Committee chair