Joar

<n>Breaking bread</n> by photographer <n>Agnes Lloyd-Platt</n>.

Visual identity for the <n>Pills</n> talk series, a project by <n>ACID HOUSE ™</n>.

<n>Clouds</n> (2014), a digital collage by artist <n>Warren Cochrane</n>.

A page from <n>Wassily Kandinsky</n>'s 1926 book, <n>Point and Line to Plane</n>.

Branding by <n>Serviceplan</n> for the <n>855-HOW-TO-QUIT-(OPIOIDS)</n> helpline for opioid addiction.

A still from the wedding of <n>Anakin Skywalker</n> and <n>Padmé Amidala</n> in <n>Star Wars: Episode II – Attack of the Clones</n>.

<n>Typographic Composition № 002</n> by <n>Dreams of Code</n>, commissioned by <n>We Play</n> for the <n>Sustainaball</n> event.

Surreal landscape photograph taken in Idaho by <n>Benjamin Everett</n>.

The Psychology of the Female Body in the Work of Daniel Maidman | Beautiful Bizarre Magazine

<n>Enlacé.e.s</n> by photographer <n>Hamza Abouelouafaa</n> for <n>Afterglo</n>.

<n>Ibuprofen</n> pills. Photo by <n>RL Policar</n> for <n>UPI</n>.

A pile of 200mg generic <n>Ibuprofen</n> tablets, 2013. Photo by <n>D. Coetzee</n>.

<n>Laurie Lipton</n>'s charcoal and pencil drawing, <n>Love Bite</n> (2009).

Cover photograph for the novel <n>The Alibi</n> by author <n>Sandra Brown</n>.

From the <n>Romantic Days</n> exhibition at <n>Daelim Museum</n>.