A herd of horses crosses the <n>Orkhon River</n> in Mongolia. Photo by <n>Frederic Lagrange</n>.

The birch tree <n>Ningen Kabanoki</n>, used as album art for <n>Leslie Keffer</n>'s <n>Human Inosculation Part I</n>.

<n>Pearl Dive</n> by <n>Margaret R. Thompson</n>. Oil and wax on canvas.

<n>Race Horse</n> (2017) by <n>Maroesjka Lavigne</n> from the <n>Lost Lands</n> series.

<n>Wild horses</n> swimming in the ocean at the <n>Outer Banks</n>, North Carolina.

A detail of <n>Fancy Yarn</n> from Italian spinning mill <n>Filatura P3</n>.

A scene in the <n>Faroe Islands</n>, 2014.

Bark of the <n>Eucalyptus pauciflora niphophila</n>, or Snow gum tree, photographed in the UK.

A <n>Sable Island horse</n> swimming underwater.

Horses at the <n>Rapa das Bestas</n> festival, from <n>Carlos Folgoso Sueiro</n>'s series <n>Beyond the Lake</n>.

<n>Aquadural</n> (2018), a photograph by artist <n>Natalie Lennard</n>.

Painting of a masquerade procession by <n>Fedor Solntsev</n>, 1830.

<n>Introduction</n> (1941), an egg tempera painting by <n>Jared French</n>.

A photograph of the natural pattern on <n>Gum tree bark</n> by <n>Gum tree bark palettes</n>.

The Big White Sweater - brief history and inspo album

<n>Small scale study for design of The Hours</n> (c. 1904-1911) by artist <n>Edwin Austin Abbey</n>.

From the <n>Are.na</n> channel <n>All the Tenderness of Attention</n> curated by <n>Sharon Neema</n>.

<n>Emma's Electric Vest</n>, a knitting pattern by designer <n>Emma</n>.

The Electric Vest Knitting Pattern - Etsy Canada

<n>Plastic orchid IV</n>, an embroided weaving with beads and plastic fragments.

A close-up of the peeling bark of an <n>Arbutus tree</n>.

Cover illustration by <n>Meinrad Craighead</n> for <n>Judy Grahn</n>'s 1993 book, <n>Blood, Bread, and Roses</n>.