Oct 24

<n>Charles Jeffrey LOVERBOY</n>'s <n>Banana Boots</n> from Spring 2019. Photo by <n>JULIE VERHOEVEN</n>.

<n>Provincetown Window</n> (1964), an <n>Abstract Expressionist</n> painting by <n>Helen Frankenthaler</n>.

A chair concept design by Australian artist and designer <n>Tom Hancocks</n>.

Untitled (2009) by <n>Günther Förg</n>, from the exhibition <n>Günther Förg. Tupfenbilder</n>.

The <n>Artificial Grass Armchair</n> from <n>Evergreen Direct</n>.

Products from the <n>Reike Nen</n> Resort 2023 collection.

Outfit featuring a <n>CLESSTE</n> jacket and <n>Entire Studios</n> pants.

Actors <n>Hannah Alline</n> and <n>Drew Connick</n> in the short film <n>Honey & Milk</n>, directed by <n>Nate Lawrence</n>.

A sunset for lovers, photographed by <n>Kina</n>.

<n>Montgomery Clift</n> and <n>Elizabeth Taylor</n> in <n>A Place in the Sun</n> (1951), directed by <n>George Stevens</n>.

<n>Who are you when nobody's watching?</n> by artist <n>SAVAGEwav</n>.

Art direction by <n>Andrei Damian</n> for the creative community <n>Otherset</n>.

<n>Alaska Travel Album</n>, a scrapbook by <n>saturday morning vintage</n>, 2010.

<n>Mia Goth</n> for the <n>Miu Miu</n> Fall/Winter 2023 campaign, photographed by <n>Zoë Ghertner</n>.

<n>Who's the Watcher? Old TV Temporary Tattoo</n>.

A campaign image from resortwear brand <n>Scarlett Poppies</n>.

A still of <n>Kim Basinger</n> in the 1985 film <n>Nine 1/2 Weeks</n>, directed by <n>Adrian Lyne</n>.

The <n>PFD Puffer Jacket</n> from <n>Entire Studios</n>' Fall/Winter 2022 collection.

<n>Blow Armchair</n> by <n>Jonathan De Pas</n>, <n>Donato D'Urbino</n>, <n>Paolo Lomazzi</n>, and <n>Carla Scolari</n> for <n>Zanotta</n>, 1967.