Branding for <n>SISI</n> / <n>OBJECT INTERNATIONAL</n> by designer <n>Jeffrey Annert</n>, 2021.

A still of filmmaker <n>Agnès Varda</n> from her 1967 film <n>Uncle Yanco</n>.

A portrait for <n>Jeff Mills</n> by <n>Thibaut Grevet</n>, produced by <n>Crybaby Kingdom</n>.

The album cover for <n>Ocean Rain</n> by <n>Echo & The Bunnymen</n>, released in 1984.

A <n>parchment lamp</n> in the bedroom of architect <n>Luis Barragán</n>.

A chair by designer <n>Ron Arad</n> from the 2016 <n>Design Day Sale</n> in London.

The <n>Shed</n> project space in Santa Fe, designed by <n>Rael San Fratello</n>.

<n>The Wimbledon Sweater</n> by <n>le FLEUR*</n>.

A still of <n>Hayao Miyazaki</n> from the 2016 documentary <n>Never-Ending Man: Hayao Miyazaki</n> by <n>Kaku Arakawa</n>.

A space for the wine community in Baja California. Photo by <n>melimón</n>.

<n>Shoeshine Boy</n>, photographed by <n>Stanley Kubrick</n> in New York, 1947.

The <n>Side Chair</n> in ebonized oak by <n>Seventh House</n>.

A still from <n>Éric Rohmer</n>'s 1970 film, <n>Claire's Knee</n>.

<n>Féminité</n> (1930), a sculpture by <n>Alexander Calder</n>. Photo by <n>Marc Vaux</n>.

The <n>Museo delle Culture</n> in Milan, designed by <n>David Chipperfield</n>. Photo by <n>Luis Urbano</n>.

“Most of us walk without chains, yet we aren't free. We're tethered to regret and sorrow from the past.
We return to the past and continue to suffer. The past is a prison. But now you have the key to unlock the door and arrive in the present moment.”

— Thich Nhat Hanh

Websites made with <n>Readymag</n> featuring work by designers <n>Taikonauten</n>, <n>Obys</n>, and <n>Artém Militonian</n>.

From the photobook "Oma Toos," a portrait of the artist's grandmother by <n>Jaap Scheeren</n>.

Title card for the film <n>Le orfanelle</n>, starring <n>Melissa Falasconi</n>, <n>Febe Sapia</n>, and <n>Francesca Uccelli</n>.