cameroon

<n>What Are Brothers For?</n> (2023) by <n>Carlos Idun-Tawiah</n> from the series <n>Boys Will Always Be Boys</n>.

A traditional <n>Senufo mask</n> from the Korhogo region of Côte d'Ivoire.

Studio portrait by Ghanaian photographer <n>Philip Kwame Apagya</n>, known for his signature painted backdrops.

A <n>Kombai</n> mother carries her child in a <n>Noken</n> bag in Papua. Photo by <n>Frédéric Lagrange</n>.

A still from the 1998 documentary <n>Future Remembrance: Photography and Image Arts in Ghana</n>.

Photograph by <n>Ronan Gallagher</n> for <n>Pop Magazine</n>, shot in Senegal.

Photograph by <n>Alex Webb</n> of the <n>Saut-d'Eau Pilgrimage</n> in Haiti, 1987.

Tribal Art and Ethnic Art, Black Art and African American Art, African Art Print and African Tribal art, Cameroon Art for a Soul Sister

A work of <n>Surreal Realism</n> by Ghanaian photographer <n>Nana Frimpong Oduro</n>.

Self-portrait by Ghanaian photographer <n>Felicia Abban</n> in Accra, Ghana, during the 1970s.

Reading the contemporary : African art from theory to the marketplace : Free Download, Borrow, and Streaming : Internet Archive

<n>Yinka Shonibare</n>'s 1998 photo <n>Diary of a Victorian Dandy: 14.00 hours</n> on the cover of <n>Reading the Contemporary</n>.

The <n>Flag of Cameroon</n> displayed on a tree.

A scene from <n>René Vautier</n>'s 1950 film <n>Afrique 50</n>, captured on the outskirts of <n>Douala</n>, <n>Cameroon</n>.

Untitled ink drawing by <n>Marjorie Cameron</n> for the poetry collection <n>Songs for the Witch Woman</n>, c. 1950s.

<n>Day of Solidarity with Guinea-Bissau and Cape Verde</n> poster by <n>Estela Díaz</n> for <n>OSPAAAL</n>, 1971.

A 1927 French Cameroonian postage stamp designed by <n>Jean de Gource</n>.

Porto do Mato, Brazil, from the 1981 book <n>Brazil: impressions and insight</n> by <n>Hermann Matthias Görgen</n>.

<n>Two Women</n> (2023) by photographer <n>Alhassan Kanu</n> in Freetown, Sierra Leone.

<n>Untitled</n> (1960) by photographer <n>Joseph Moise Agbodjelou</n>.