Random

A portrait of filmmaker <n>Werner Herzog</n>.

A still from the 1976 film <n>Lost, Lost, Lost</n> by director <n>Jonas Mekas</n>.

A still from the 1962 film <n>La Jetée</n> by director <n>Chris Marker</n>.

A still from the 1974 film <n>Alice in the Cities</n>, directed by <n>Wim Wenders</n>.

A scene from the 1995 film <n>Before Sunrise</n> featuring <n>Ethan Hawke</n> and the character <n>Céline</n>.

A film still from <n>Call Me by Your Name</n> (2017), directed by <n>Luca Guadagnino</n>.

A still from the 1966 film <n>Masculin Féminin</n>, directed by <n>Jean-Luc Godard</n>.

A scene from the 2020 series <n>Normal People</n> starring <n>Paul Mescal</n> and <n>Daisy Edgar-Jones</n>.

A still from the 1972 film <n>The Other Side of the Underneath</n> directed by <n>Jane Arden</n>.

An abandoned orangery in Belgium from the <n>Memento Mori</n> series. Photo by <n>Reginald Van de Velde</n>.

Textural artwork by <n>Wallis Suda Studio</n>.

A film still from <n>A Tale of Winter</n> (1992), directed by <n>Éric Rohmer</n>.

Film director <n>Gaspar Noé</n> during his visit to the <n>Criterion Collection</n> closet.

A still from <n>Jean-Luc Godard</n>'s 2004 film, <n>Notre musique</n>.

A still from <n>Terrence Malick</n>'s 1973 film <n>Badlands</n>, featuring <n>Martin Sheen</n>.

<n>Natja Brunckhorst</n> in a still from the 1981 film <n>Christiane F. – Wir Kinder vom Bahnhof Zoo</n>, directed by <n>Uli Edel</n>.

Film still from <n>C'mon C'mon</n> (2021).

The <n>Aisthesis</n> exhibition by <n>Robert Irwin</n> and <n>James Turrell</n> at <n>Villa Panza</n>. Photo by <n>Simone Bossi</n>.

A still from the 1988 film <n>Jane B. par Agnès V.</n>, directed by <n>Agnès Varda</n>.

A still from <n>Taika Waititi</n>'s 2019 film <n>Jojo Rabbit</n> featuring actor <n>Roman Griffin Davis</n>.

<n>Relation in Time</n> (1977), a performance piece by artists <n>Marina Abramović</n> and <n>Ulay</n>.

A still from <n>David Fincher</n>'s 2023 film, <n>The Killer</n>.

A film still from <n>News from Home</n> (1977), directed by <n>Chantal Akerman</n>.