Artwork featured on the <n>Kolaj Premium Telefon Kılıfı - 303</n> phone case by <n>Zynocase</n>.

<n>Draco and Ursa Minor</n>, a celestial chart from <n>Urania's Mirror</n> (1824), engraved by <n>Sidney Hall</n>.

Title vignette from <n>Jacob Böhme</n>'s <n>Der Weg zu Christo</n>, published in 1682.

Illustration from the cover of the book <n>Por la Rosa Roja y la Cruz de Oro</n>.

Icon of <n>Saint Ignatius of Antioch</n>, 17th c.

An astrolabe from the <n>Heidelberger Schicksalsbuch</n> (c. 1491), illuminated by <n>Berthold Furtmeyr</n>.

Illustration by <n>Solidonius, le philosophe</n> from his 17th-century manuscript on alchemy.

<n>Yuki-onna</n> (1938) by <n>Uemura Shōen</n>.

<n>The Wound of Christ</n> from the <n>Prayer Book of Bonne of Luxembourg</n>, c. 1345-49. Attributed to <n>Jean Le Noir</n>.

Icon depicting <n>Saint Christopher Cynocephalus</n>.

An illustration of <n>The Universal Tree</n> from a German alchemical manuscript, c. 1750.

Plate 38 from the 1785 text <n>Geheime Figuren der Rosenkreuzer</n>, based on the work of <n>Basil Valentine</n>.

A detail from <n>Francesco Traini</n>'s painting <n>Il Trionfo della Morte</n> (c. 1325-1350).

<n>Anatomical Man</n>, a folio from the <n>Très Riches Heures du Duc de Berry</n> by the <n>Limbourg brothers</n>, c. 1412-1416.

<n>The beast with seven heads and the beast with lamb’s horns</n>, from the 16th-century <n>Augsburg Book of Miracles</n>.

<n>The Assumption of Mary Magdalene</n> (c. 1490), an illuminated manuscript by the <n>French School</n>.

<n>The Vision of Hermes Trismegistus</n> (1975) by artist <n>Johfra Bosschart</n>.

<n>Âmes délivrées du Purgatoire</n> from the <n>Hours of Catherine of Cleves</n>, c. 1440, by the <n>Master of Catherine of Cleves</n>.

An emblem by <n>Fidelis Werner</n> from a German alchemical manuscript, 1794.

Woodcut titled <n>Astronomia</n> by <n>Gregor Reisch</n> from his <n>Margarita Philosophica</n> (1503).

Plate 10 from the 16th-century alchemical manuscript <n>Solidonius Philosophus</n>.

<n>Ottheinrich Folio294r Rev11</n>, a miniature by <n>Mathis Gerung</n> from the <n>Ottheinrich Bible</n>, illuminated in 1530.

The alchemical illustration <n>Green lion consuming the sun</n> from the 1550 manuscript <n>Rosarium philosophorum</n>.

St. Michael battling devils from the 15th-century <n>Malet-Lannoy Hours</n>. Courtesy of the <n>Walters Art Museum</n>.

15th-c. manuscript illustration, cover for <n>Left Hand Cuts off the Right</n>'s album <n>Every Movement</n>.

<n>Mouth of Hell; Final Absolution</n> from <n>The Hours of Catherine of Cleves</n> by the <n>Master of Catherine of Cleves</n>, c. 1440.

<n>The Cosmic Rose</n> (1595), an engraving by <n>Heinrich Khunrath</n> for his book <n>Amphitheatrum Sapientiae Aeternae</n>.

<n>The Hand of the Mysteries</n> by <n>J. Augustus Knapp</n> from <n>Manly Palmer Hall</n>'s 1928 book, <n>The Secret Teachings of All Ages</n>.

Folio from the Book of Hours of <n>Giangaleazzo Visconti</n>, an illuminated manuscript by <n>Giovannino de’ Grassi</n>.

<n>The Apocalyptic Woman</n> (c. 1498), a woodcut from the 'Apocalypse' series by <n>Albrecht Dürer</n>.

<n>The Creation of Eve</n>, an illumination by <n>Giovannino de' Grassi</n> from the <n>Hours of Gian Galeazzo Visconti</n>, c. 1390.

<n>Soul of Science</n> by artist <n>Daniel Martin Diaz</n>.

<n>Leopard</n> (2004) by Georgian artist <n>Merab Abramishvili</n>.

An illustration of the prophet <n>Zoroaster</n> from the alchemical manuscript <n>Clavis Artis</n>, c. 1700.

pss